Curator of Human Rights Collections and Alternative Press Collections, Archives & Special Collections at the Thomas J. Dodd Research Center, University of Connecticut. Stinnett holds a Master’s degree in Archival Studies from the History Department at the University of Manitoba, where he also earned a Bachelor’s degree in Latin American History. Stinnett's graduate work focused on human rights non-governmental organizations and their importance to archives and the role of archivist as activist. He has published in the Progressive Librarian on the subject. Stinnett has worked in University Archives with human rights collections at UC Boulder, Manitoba and UConn. His involvement with the Manitoba Gay and Lesbian Archives collection project and the LGBTTQ Oral History Initiative, the El Salvador Human Rights Archive at Boulder and the extensive AltPress & Human Rights Archives at UConn have resulted in a multitude of engagement and outreach activities. He also briefly served as the Archivist for the Vancouver Whitecaps Football Club in British Columbia.
Len & Georgia Morris will be screening their film on child poverty The Same Heartthis Wednesday, April 20th 2016 from 4-6pm in the Konover Auditorium at the Thomas J. Dodd Research Center. The film, screened as part of the Human Rights Institute’s Film Series, follows a growing number of global economists, joining their voices with moral leaders of the world. They agree that an extremely small financial transaction tax, “The Robin Hood Tax,” could for the first time, place the needs of children at the heart of the global financial system. Suggesting a sustainable approach,The Same Heart also follows a dynamic Kenyan community organizer who devotes his life to making programs work from the bottom up.
This film connects significantly with our U. Roberto (Robin) Romano Papers in the Archives & Special Collections, recently donated by Len Morris. Robin Romano, credited as Cameraman in The Same Heart, directed and shot several films on child labor and global income inequality. Although he passed away in 2013, his creative legacy involves a focus on human rights violations experienced by children around the world. His complete body of work including photos, films, and interviews, is now archived with at the Archives & Special Collections.
Len Morris and Robin Romano
Wednesday, April 20th, 2016
4:00 – 6:00 p.m.
Konover Auditorium Thomas J. Dodd Center, Storrs Campus
Violence and Terror in Kosovo, SOS-Kosovo Committee, Geneva, Switzerland. Human Rights Internet, box 99.
With ever normalizing relations between the Balkan states, especially with the recent Serbia-Kosovo talks as well as Montenegro’s invitation to join NATO (North Atlantic Treaty Organization), from an outsider’s perspective the progress made in the region seems ordinary. One cannot however ignore the fact that the former Yugoslavia has endured violent waves of wars that would permanently strain relations between the various ethnic groups and nation-states that would emerge from the chain of conflicts. The complicated history of the region and its path towards stabilization can be found through the Laurie S. Wiseberg and Harry Scoble Human Rights Internet Collection (HRIC) found in the Archives and Special Collections at the Thomas J. Dodd Research Center, which contains a plethora of articles, resolutions, and books relating to the former Yugoslavia. Continue reading →
Currently on display at the Thomas J. Dodd Research Center, a recently acquired set of Celebrate People’s History Poster Series from the Justseeds artists cooperative. The Archives & Special Collections has added this poster series to its collection because of the strong linkages to the Alternative Press Collection which contains posters, flyers, pamphlets and newspapers about the movements depicted in the series.
This collection was organized and curated by Justseeds founder Josh MacPhee for distribution to all corners of public and social spaces:
“The Celebrate People’s History posters are rooted in this do-it-yourself tradition of mass-produced and distributed political propaganda, but detoured to embody principles of democracy, inclusion, and group participation in the writing and interpretation of history. It’s rare today that a political poster is celebratory, and when it is, it almost always focuses on a small canon of male individuals: MLK, Ghandi, Che, or Mandela. Rather than create another exclusive set of heroes, I’ve generated a diverse set of posters that bring to life successful moments in the history of social justice struggles. To that end, I’ve asked artists and designers to find events, groups, and people who have moved forward the collective struggle of humanity to create a more equitable and just world. The posters tell stories from the subjective position of the artists, and are often the stories of underdogs, those written out of history. The goal of this project is not to tell a definitive history, but to suggest a new relationship to the past.
CPH posters have been pasted up in the streets of over a dozen cities. Each time I receive emails from people wanting to know more. Our streets can be a venue for asking these questions, and the CPH posters can play a role in answering them. Soon after the first poster was printed, educators began asking for posters for their classrooms. It’s been great to see the posters become part of curriculum, and to see lessons built around them. Once when giving a talk about CPH, I was approached by a student in training to become a teacher. She was first introduced to the posters when they hung in one of her grade school classrooms, almost a decade earlier. Now she intends to use them in her future classes. I hope that these posters can continue to act as some small corrective to the dominant narratives told in schools, and that more teachers engage students in alternative ways of understanding the past.”
This exhibition will be up in the Thomas J. Dodd Research Center from February 1st – April 15th, 2016.
At the Archives & Special Collections, we have been ramping up our interoperability. What does that mean exactly? Twinkling screens, chatter of audio recording and tactile interactions with materials on exhibition. Currently, we are featuring collection materials from 50 years ago in the archives to help highlight the year 1966. These selections contain personal correspondence and work from famous artists and activists like Ed Sanders, Allen Ginsberg, Diane Di Prima and Abbie Hoffman. Popular culture and ephemera from comic books to Life magazine relating to the politics of War in Vietnam, LSD, the rise of Black Power and the battle against Communism.
Included in the exhibit are Alternative Press Collection materials documenting the War in Vietnam ranging from the scholarly to the ephemeral. The Poras Collection of Vietnam War Memorabilia contains posters, death cards, publications and satirical army culture objects demonstrating the antagonisms of war at home and abroad. From a personal collection of Navy Corpsman Cal Robertson, his correspondence from Vietnam in 1966 while deployed over two tours as a medic attached to a marine platoon, detailing the daily grind and uncertainties of waiting in the jungle and relaying safety concerns to loved ones back home. The Alternative Press also includes a trove of anti-war publications such as the Committee for Nonviolent Action.
The physical exhibit in our reading room is but one element of our program to promote access to collections through outreach. Media displays within the Archives Reading Room featuring additional photographs and videos demonstrate the interactive qualities of physical objects outside of a static display. Currently, the newest arrival to the reading room is a large tablet-like touch table which has digital content loaded from our Omeka exhibit on1966 which will be unveiled in the coming month on the web.
For more information, follow us @UConnArchives on twitter and facebook where we promote exhibits like this one and events happening around the Archives.
On June 18 2015, Dylann Roof, 21 years old, shot and killed nine African-Americans at the Emanuel African Methodist Episcopal Church in Charleston, South Carolina. When Roof was apprehended, he wore the flags of Apartheid-Era South Africa and Rhodesia, former white supremacist settler colonial states in Southern Africa. Roof also had Confederate flags hung on his walls and frequented white power websites. These race based murders fueled an ongoing debate about Confederate symbolism and its usage in the private and public spheres. The Alternative Press Collection at the Archives & Special Collections is comprised of fringe publishing from both ends of the political spectrum such as White Patriot and Death to the Klan. The current debate around the Confederate flag draws on long standing uses of historical interpretation and cultural identity dating to the Civil War and Reconstruction era of 1861-1877. As demonstrated in this exhibition currently on display in the Archives through these selected materials from the Alternative Press, Northeast Children’s Literature and Labor collections, figures such as Confederate General Nathan Bedford Forrest, abolitionists John Brown and Frederick Douglass serve as symbolic totems of heritage, spirituality and citizenship. Continue reading →
My visit to South Africa on assignment for Global Affairs/UNESCO and Archives & Special Collections began in the first week of June in Johannesburg during an unusually cold winter (for South Africa). The purpose of the trip was to explore and convene on the archival landscape which had been mapped in 2000 through a partnership between the African National Congress (ANC) and the University of Connecticut. The initial archives project was funded by the Mellon Foundation to organize, describe and make accessible the ANC archives documenting its activities while in exile under Apartheid. These archives, located at the National Heritage and Cultural Studies Center (NAHECS) University of Fort Hare (UFH) in Alice, Eastern Cape, have been available in their reading room for public research since 2005. Between 2000 and 2005, UConn sent faculty, archivists, librarians and oral historians to UFH to hold training sessions and benefit from this skill sharing partnership. In conjunction, UFH sent archivists and librarians to receive training within the UConn libraries. Continue reading →
In 1968 students at UConn demonstrated against the ROTC and military recruiting on campus as national uprisings began to foment against the war in Vietnam. Corporate job recruiting by General Electric and Olin Mathieson on Gilbert Rd. drew confrontations between protestors and state police along with President Homer D. Babbidge’s approach toward a business friendly posture for the university. The combative times of the UConn Crisis in 1968-1969 was the prologue to an even more eruptive year to come. Lyndon Johnson’s escalation of the war led to major backlash in the mid to late 1960s which President Nixon’s administration promised to diminish by quietly widening military campaigns into neighboring Cambodia.
Student demonstrations in over 1,250 college campuses across the country led to confrontations with local police and the national guard. On May 4th, 1970 protests at Kent State University in Ohio led to national guardsmen firing into demonstrators killing four individuals and wounding several others. The events of 1970 galvanized much of the public’s perception on the war in Vietnam however clashes at home along class and race lines similarly disrupted any clear consensus about the war at home and abroad. The days following the Kent State shootings on the University of Connecticut campus would produce the actions of students, faculty and administration which declared 1970 as the high water mark for social upheavel. The events below were extracted from the extensive archive documented by student organizations, administration and the Daily Campus: Continue reading →
Currently being installed in the Thomas J. Dodd Research Center Archives & Special Collection’s Gallery, an exhibit We are the Armenians. A two month community exhibition celebrating the history, strength, vibrancy, and accomplishments of New England’s Armenian American community. Commemorating the 100th anniversary of the Armenian genocide, the exhibition will showcase artifacts, photographs & family heirlooms belonging to members of Connecticut’s Armenian community and the Armenian Museum of America (Watertown, MA).
We are the Armenians, an exhibition sponsored by UConn Global Affairs, is part of the 2015 Norian Armenian Community Exhibition Project. This project aims to provide a forum for individuals from the Armenian American community throughout Connecticut and the greater New England region to record, share, and preserve their stories, and in so doing, to contribute to the understanding of themes relating to immigration, cultural diversity, and identity relevant to the Armenian diaspora. The historical foundation of this outreach program was established with the Norian Armenian Oral History Project, directed by Bruce Stave and Sondra Astor Stave, which encompasses twenty interviews, archived in the Connecticut Oral History Collection in UConn’s Archives and Special Collections at the Thomas J. Dodd Research Center.
March 12th – May 15th, 2015; 9am-5pm, M-F
Location: Thomas J. Dodd Research Center, Storrs CT
Annual Alice K. Norian Lecture, March 24th, 2015; 6:00pm-8:15pm
“Remembering Armenia: A Journey through Historical Fiction & Memoir”
Author Chris Bohjalian and Professor Armen T. Marsoobian
Location: Konover Auditorium, Thomas J. Dodd Research Center, Storrs CT
2013-0052_gm030 Emzon Shung and Chron.Dis. Present, Box 1 Folder 1. Joe Snow Punk Rock Collection, Archives and Special Collections, Thomas J. Dodd Research Center at the University of Connecticut.
This summer, Research Assistant of Digital Media & Design Clarissa Ceglio and Archivist Graham Stinnett will be co-teaching two courses on Digital Humanities and Archives. The courses are for junior’s in high school intended to provide them with early education in University tools and resources such as libraries, archives and digital instruction. The course will focus its primary source work on the Joe Snow Punk Rock Collection at the Archives & Special Collections, where students will have a first hand experience with punk flyers, posters, stickers, pins and ephemera within the collection. Students will benefit from a behind the scenes experience with historical records and artifacts in an archives to prepare them for future research access in an academic setting. The archival experience will then be extended into the digital realm, where students will construct portals for digital content and description and analysis of primary resources on the web. Students will learn about techniques for manipulating digital content and interface tools to build contextual digital media pages. Providing students the opportunity to engage in archival resources at an early age promotes further investigation into historical documents as education and research continues at the University level and beyond.
Yesterday, the Archival profession lost a giant who agitated, inspired and implemented seminal ways of stewarding history and record-keeping. His passion for teaching and mentoring young archivists well into retirement was best vocalized in his 2010 ACA Keynote, “Standing on the Shoulders of Giants.” A strong advocate for human rights and archival implications of documentation and advocating for future generations is represented in the voice he so passionately infused in his many articles and speeches given around the world.
The following is from the Association of Canadian Archivists:
An ACA member since the Association’s inception in 1975, he served the ACA in a variety of roles, including serving on the Publication Committee (1982-1984), the Conference Programme Committee on three occasions, the Electronic Records Committee (1991-1992) and the Aboriginal Archives Special Interest Section (1997-1998). He also acted as the ACA President’s Special Advisor on Public Policy from 1998-2006, a role in which he wrote briefs, appeared before Parliamentary Committees, published newspaper articles, and lobbied various bodies on legislation and policies that affected the archival community, such as copyright, privacy and access, and the historical census. He served similar roles in the Society of American Archivists and other organizations. In addition to authoring over 80 articles appearing in leading international journals, he also served on the editorial board for Archivaria (1981-1996 and 1999-2006) and American Archivist (1991-2001). He was named a fellow of the Association in 2009.
The Archives and Special Collections in collaboration with the Dodd Center and Booklyn Artists Alliance, are hosting two days of events on War, Struggle and Visual Politics: Art on the Frontlines. Events will be held in the Dodd Research Center on April 21st and 22nd in conjunction with the Week In Humanities. Artists Seth Tobocman, Stephen Dupont, Marshall Weber, Chantelle Bateman and Aaron Hughes will be holding talks, workshops and presenting artwork around the focus of politics and activism in art and war. Students, community members, veterans and artists are encouraged to attend these events to provide a dynamic facilitation of how we utilize art, activism and memory to cope with war.
Art work will be on display in galleries as follows:Aaron Hughes : Institute for the Humanities : College of Liberal Arts and Sciences
Seth Tobocman : Contemporary Art Gallery : School of Fine Art
Stephen Dupont : Coop Bookstore : Downtown Stores
For a full list of events, please follow this link for the Week in Humanities.
A co-curated gallery exhibition of alternative arts of the 1980s is currently on display at the Dodd Center. This exhibit features selections of dial-a-poems, artists’ books, offset lithography, punk rock, zines, buttons, show flyers, cyberpunk literature, comic books and related ephemera from the Archives & Special Collections. By focusing on underground visual and aural arts of fringe countercultures, our goal is to demonstrate the range of expression found within these distinct cultural enclaves. The show offers materials from three distinct curatorial areas, however the threads that tie these materials together become interwoven through their reactions to the dominant modes of production of the era.
March 3-May 11, 2014
Thomas J. Dodd Research Center
Gallery Hours: 8:30-4:30, Monday – Friday
For more information on the libraries ongoing exhibits, please visit the exhibitions page.