Mac Barnett, a children’s book writer from Oakland with seven picture books and three novels to his credit, wrote the Picture Book Manifesto at the suggestion of one of his former professors. The Manifesto was published as an advertisement in the November issue of the Horn Book. Speaking to Sally Lodge for Publisher’s weekly (http://www.publishersweekly.com/pw/by-topic/childrens/childrens-industry-news/article/49276-mac-barnett-spearheads-a-picture-book-manifesto-.html), Barnett explains, “I think there’s a lot of hand-wringing going on now about the picture book and its place in the market and in our culture…you hear nay-sayers who think the picture book is over, and too often the pro-picture book response is that everything is fine, that the picture books are inherently magical. And great books are a kind of magic, but kids don’t need to be told that: they already know.” The proclamation was designed and executed by Carson Ellis and is signed by 20 other picture book creators, including Brian Biggs, Sophie Blackall, Laurie Keller, Jon Scieszka, and Lemony Snicket. The intended audience is everyone in the children’s literature world, including librarians, parents, writers, illustrators, editors, and publishers. Barnett hopes that publication of the Manifesto will spark conversations about picture books and how to make them more original and thoughtful, with a vitality that will make kids want to read.
Terri J. Goldich, Curator, Northeast Children’s Literature Collection
l-r: Terri J. Goldich, Curator; Billie M. Levy, Donor; Kena Sosa, Researcher. Seated: Mrs. Eva Greenwood.
In April, 2011, Ms. Kena Sosa became the 4th recipient of a Billie M. Levy Travel and Research Grant. Her topic of research is the experience of Jewish children who escaped Nazi persecution to England and other countries by means of the Kindertransport program. This link goes to a full description and access to the transcripts of two oral histories conducted with women who were transported to England as children in the Kindertransport program. Ms. Sosa’s PowerPoint presentation, a requirement of the Levy Travel and Research Grant, is also available from the web site. This was the first grant presentation to leave the audience in tears.
Suzy Staubach and I were invited to attend a lovely brunch at Tomie’s house to celebrate his being awarded the Laura Ingalls Wilder Award, given by the American Library Association which “…“honors an author or illustrator whose books, published in the United States, have made, over a period of years, a substantial and lasting contribution to literature for children.” The dePaola house is absolutely charming, with room after room where wonderful sculptures, artwork, toys, candles, antiques, and dePaola creations abound. One piece of artwork in particular caught my eye: a pencil and ink drawing of Tomie as a Saint, with a drink in one hand and a paintbrush in the other, surrounded by children holding their hands out in begging posture. Trina Schart Hyman, one of Tomie’s dear friends, was working on the drawing when she left for the hospice care where she later passed away. The drawing was still on her drawing table. She didn’t have time to ink in the entire piece but she did get the drink glass done!
[slideshow]The family of the late Coleen Salley have donated James Marshall’s book dummy for his “The Cut-ups cut loose” to the NCLC. The charming, 32-page dummy is accompanied by a letter from Mr. Marshall to Ms. Salley with a note about “our little book.” The dummy is black and white with some color on the title page. The book was published in 1987 by Viking Kestrel and is dedicated to Ms. Salley. This piece is the only item in the Marshall Papers for this title. Thank you, Salley Family, for this important addition to the NCLC.
Thanks, Nan Sorensen, Scholastic, and the rest of the New England Children’s Booksellers for the donation of books by the wonderful authors at your conference on June 15. It was fun to give tours to such knowledgeable and engaged listeners. And your speakers were delightful: M.T. Anderson, Nan Rossiter, Joyce Baskin, Angela DiTerlizzi, and all the rest of the stellar lineup. I had the pleasure of awarding Matt Collins the CT Book Award for Children’s Illustration last year at the CT Center for the Book’s celebration so it was great to see him again. What a talented group of folks you are!
Following the death in 1919 of L. Frank Baum, the author of the original The Wonderful Wizard of Oz, Ruth Plumly Thompson was hired by Baum’s publisher to continue the Oz series. Ms. Thompson of Philadelphia wrote one Oz book a year from 1921 to 1939 when Ozoplaning with the Wizard of Oz was published by Reilly & Lee. The phrase “The Wizard of Oz” was added to coincide with the release of the movie, The Wizard of Oz, by MGM the same year. The illustrator is John R. Neill, who illustrated many of Baum’s Oz books after Baum and the original illustrator of the The Wonderful Wizard of Oz, W. W. Denslow, parted ways after a dispute over royalties.
Ozoplaning with the Wizard of Oz, by Ruth Plumly Thompson
Ozoplaning with the Wizard of Oz (Chicago: Reilly & Lee, 1939). By Ruth Plumly Thompson, illustrated by John R. Neill.
Neill wrote three Oz books after Thompson resigned from writing the series in 1939. The story contains the original characters, Dorothy Gale, the Tin Woodman, the Scarecrow, and the Cowardly Lion and of course the Wizard of Oz. Jellia Jam (“Jamb” in the original Baum) is the Wizard’s “pretty little serving maid” who does not appear in the movie version. The Soldier with Green Whiskers and Nick Chopper join everyone for a dinner party at the Wizard’s home so the Wizard can show off his new inventions, two Ozoplanes named Ozpril and Oztober. The Soldier, Tin Woodman, and Jellia board the Oztober and through the Soldier’s bad luck, take off through the roof on a long adventure.
This project was made possible by the generosity of Susan Aller of West Hartford, in honor of our Miss Billie. The project was also made possible by West Hartford Community Television. Ms. Aller is the author of more than a dozen biographies for young people, including the stories of J. M. Barrie, Florence Nightingale, George Eastman, Louisa May Alcott, and Mary Jemison. She has worked as a magazine editor in New York City, and her essays on a variety of topics have appeared in The New York Times, Christian Science Monitor, and other publications. Ms. Aller is a graduate of the University of Nebraska at Omaha, and lived for extended periods in Spain and France, before coming to Connecticut in 1979. As a collector of antique children’s books, she has been an active supporter of the Northeast Children’s Literature Collection at the Thomas J. Dodd Research Center at the University of Connecticut in Storrs. She participates weekly in a long-standing writers’ group and is a member of the Saturday Morning Club of Hartford, a women’s writing group founded in 1876. Ms. Aller is the mother of two married sons and has six grandchildren.
The Northeast Children’s Literature Collection (Archives & Special Collections, Thomas J. Dodd Research Center, University of Connecticut Libraries) announces a new blog to bring you news about the Collection, the Archives, and more.