{"id":6977,"date":"2016-12-09T15:05:44","date_gmt":"2016-12-09T15:05:44","guid":{"rendered":"https:\/\/blogs.lib.uconn.edu\/archives\/?p=6977"},"modified":"2016-12-09T15:08:02","modified_gmt":"2016-12-09T15:08:02","slug":"teaching-19th-century-media","status":"publish","type":"post","link":"https:\/\/blogs.lib.uconn.edu\/archives\/2016\/12\/09\/teaching-19th-century-media\/","title":{"rendered":"Teaching Nineteenth-Century Media"},"content":{"rendered":"<p>A fascinating interview with UConn Professor Jennifer Terni went live this week on the Humanities Institute&#8217;s new blog <em>Brain Bytes: Digital Humanities and Media Studies<\/em>. Professor Terni\u00a0discusses her teaching methods and &#8220;experiments&#8221;\u00a0incorporating 19th-century artifacts into the classroom experience. \u00a0She reflects on a recent visit\u00a0with her students to Archives and Special Collections where they examined 19th-century photographs with Archivist Kristin Eshelman. \u00a0Below is a clip from that <a href=\"http:\/\/dhmediastudies.uconn.edu\/brain-bytes-dhms-weekly-blog\/\" target=\"_blank\">interview<\/a>&#8230;<\/p>\n<blockquote><p>This past semester I taught a new graduate course on 19th-century media. \u00a0It would have been impossible to give this course even a decade ago, since it was built on the shoulders of major digitized archives including <a class=\"external\" href=\"http:\/\/gallica.bnf.fr\/\">Gallica<\/a> at the Biblioth\u00e8que Nationale de France, <a class=\"external\" href=\"https:\/\/www.hathitrust.org\/\">Hathi Trust<\/a>, and <a class=\"external\" href=\"https:\/\/artfl-project.uchicago.edu\/\">ARTFL<\/a>, to name but a few. \u00a0To make use of them effectively, however, I had to build an extensive website as a platform from which to organize the many primary sources that we explored as a group as well as to give a picture of <a class=\"external\" href=\"http:\/\/nineteenth-centurymedia.myfreesites.net\/\">what 19<sup>th<\/sup>-century media would have looked like<\/a>. What is more, I tried, as much as possible, to get the students to experience what it would have been like to consume media in the 19th century, for instance, by reading a pulp fiction novel in installments in a newspaper.<\/p>\n<p>This experiment was more successful than I could have hoped. \u00a0What is more, occasionally I sent the students to the Dodd archive to encounter 19<sup>th<\/sup>-century artifacts more directly (illustrated newspapers, daguerreotype, stereoscopes, photographic technology). \u00a0The impact of those encounters was intense in large part because the students had been engaged with primary sources throughout the semester: they had seen the exploding variety of media forms in the 1800s, but also knew firsthand how even very disparate forms were interconnected. They had also read theoretical and historical articles that helped them think about what kinds of cultural work these different genres and platforms were performing. \u00a0Touching the actual artifact was meaningful because to them it was already embedded in a web of references and ways of thinking about media, but also because it contrasted with all of the digital content they had been using throughout the semester. \u00a0It was thus doubly a material encounter with material culture.<\/p><\/blockquote>\n<p><a href=\"http:\/\/dhmediastudies.uconn.edu\/brain-bytes-dhms-weekly-blog\/\" target=\"_blank\">Read more&#8230;<\/a><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>A fascinating interview with UConn Professor Jennifer Terni went live this week on the Humanities Institute&#8217;s new blog Brain Bytes: Digital Humanities and Media Studies. Professor Terni\u00a0discusses her teaching methods and &#8220;experiments&#8221;\u00a0incorporating 19th-century artifacts into the classroom experience. \u00a0She reflects &hellip; <a href=\"https:\/\/blogs.lib.uconn.edu\/archives\/2016\/12\/09\/teaching-19th-century-media\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":48,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[253,6,9],"tags":[340,341,339],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9NKyO-1Ox","_links":{"self":[{"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts\/6977"}],"collection":[{"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/comments?post=6977"}],"version-history":[{"count":3,"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts\/6977\/revisions"}],"predecessor-version":[{"id":6980,"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts\/6977\/revisions\/6980"}],"wp:attachment":[{"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/media?parent=6977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/categories?post=6977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/tags?post=6977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}