Dodd’s Congo Foray

Thomas J. Dodd and Moise Tshombe, 1961

Thomas J. Dodd and Moise Tshombe, 1961

“…the role of the Senate [is] to advise on foreign policy and not merely to assent to faits accomplish…”

Sen. Thomas J. Dodd to Sec. of State Dean Rusk, December 1964[i]

 Within two weeks of the Congo gaining independence from Belgium in June 1960, the mineral-rich Katanga province attempted to secede, thrusting the country into chaos. The Eisenhower administration intervened in order to prevent a communist takeover of the nation. During the Kennedy administration U.S. involvement marked an unprecedented projection of American power in sub-Saharan Africa. As Secretary of State Dean Rusk said in July of 1962, “there was no other problem including Berlin in which [the] President, [the] Secretary and senior colleagues have spent as much time as [the] Congo.”[ii] The event created a paper trail at the Kennedy Presidential Library second only in volume to Vietnam; surpassing that of Britain, and even of the Soviet Union.[iii] When including donations to UN operations, U.S. aid given to that country amounted to hundreds of millions of dollars.

As I argue more thoroughly in my dissertation, the Kennedy administration viewed the crisis not only as central to the Cold War, but also to decolonization. In 1960 alone, seventeen African nations declared independence. By intervening in the Congo, Kennedy wanted to prove to newly emerging nations on the African continent, as well as the Third World at large, that American-styled democracy and capitalism could secure political and economic freedom for colonially oppressed peoples. Like other U.S. interventions during this era, however, events did not turn out as American policymakers had expected. Gen. Joseph Mobutu ascended to power in 1965, ruling the country as a dictator until 1997. The decay of the state under his rule contributed to the destabilization of the region and approximately five million deaths even after he had departed from power.[iv]

Sen. Thomas J. Dodd (D-CT) was one of the leading opponents of the Kennedy administration’s policies in the Congo.  Believing Kennedy’s sympathy with Third World nationalism had caused the President to lose sight of the larger Cold War struggle, Dodd used his position on the Senate Foreign Relations Committee to effectively challenge the power of the executive branch. Dodd supported Moise Tshombe, the leader of Katanga with whom the Kennedy administration was at odds. Even though Tshombe was reviled by the Afro-Asian bloc for betraying Patrice Lumumba, the first Prime Minister of the Congo who was assassinated by Belgium in 1961, Dodd argued that the United States should nonetheless support Tshombe’s bid for power since he was a self-avowed anti-communist willing to partner with the West.

The UN thwarted Tshombe’s secession in 1963, but through an unlikely turn of events he became Prime Minister in 1964. By then the Kennedy administration’s nation-building efforts had failed to transform the Congo into a viable nation-state, and leftist revolutionaries with support from Algeria, Cuba, and China, were seeking to overthrow the government. Dodd’s persistent lobbying in Washington had kept alive the possibility of Tshombe becoming an American ally. Indeed, Dodd’s advocacy made a difference when the Johnson administration began searching for a new Congolese leader to back, one capable of warding off the revolutionaries and partnering with the West to bring stability to the country.

As a recipient of a Rose and Sigmund Strochlitz Travel Grant, I was able to spend a week examining Dodd’s papers at the Archives & Special Collections at the Thomas J. Dodd Research Center located on the campus of the University of Connecticut in Storrs.  With approximately seven linear feet of material relating to the Congo, it is an especially rich collection that provides a detailed account of the Senator’s opposition to the Kennedy administration’s policies as well as his advocacy for Tshombe. Some of the highlights of the collection include private memoranda between Dodd and his staff, the itinerary and notes from Dodd’s trip to the Congo in 1961, speeches and periodical articles written by Dodd, reports from American missionaries in the Congo, and correspondence between Dodd and Presidents Kennedy and Johnson, Secretary of State Rusk, Tshombe, and Tshombe’s representatives. The collection also contains official government documents from Katanga, including cabinet meeting minutes.[v]

Scholars studying U.S. foreign policy and/or the Congo will find this collection informative. It serves as a prescient reminder that congress can effectively challenge a president’s foreign policy, and helps reveal the agency and vision of Tshombe whom conventional narratives have portrayed as a puppet of Western interests. Recent events in that country demand that we examine its history, of which this collection helps to illuminate.

–William Mountz, PhD Candidate, University of Missouri

Recipient of  a 2013 Strochlitz Travel Grant


[i] Letter from Sen. Thomas J. Dodd to Sec. of State Dean Rusk, 21 Dec. 1964, Box 260, Thomas J. Dodd Papers, Archives & Special Collections at the Thomas J. Dodd Research Center, University of Connecticut, Storrs, CT.

[ii] Telegram from the Department of State to the Embassy in the Congo, 7 Jul. 1962, Foreign Relations of the United States, 1961-1963, vol. 20 (Washington, DC: GPO, 1994), 501-503.

[iii] John Kent, America, the U.N. and Decolonization: Cold War Conflict in the Congo (New York: Routledge, 2010), 2.

[iv] Gerard Prunier, Africa’s World War: Congo, the Rwandan Genocide, and the Making of a Continental Catastrophe (New York: Oxford University Press, 2011); Jason Stearns, Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa (New York: PublicAffairs, 2011).

[v] Researchers will also be happy to know that they will encounter an exceptionally professional and friendly archival staff.

Marc Simont

Many Moons by James Thurber (Harcourt, 1990)

Many Moons by James Thurber (Harcourt, 1990)

The Northeast Children’s Literature Collection mourns the loss of our good friend, Marc Simont. Mr. Simont placed a significant amount of his work here and joined us at the CT Children’s Book Fair four times between 1993 and 2002. He was talented, charming and witty, and will be sincerely missed.

Stray Dog, retold and illustrated by Marc Simont (HarperCollins, 2001)

Stray Dog, retold and illustrated by Marc Simont (HarperCollins, 2001)

The finding aid at Archives & Special Collections at the Thomas J. Dodd Research Center describes Mr. Simont:

Marc Simont was born November 23, 1915, in Paris, France to Joseph and Dolores Simont from the Catalonian region of northeastern Spain. Joseph was an illustrator and artist/reporter for L’Illustration in Paris. Because his parents moved frequently Marc attended schools in Paris, Barcelona, and New York and became a U.S. citizen in 1926. Though he later attended art schools he considered his father his greatest teacher. He studied art in Paris at Académie Julian, Académie Ranson, and Andre Lhoté School. In the U.S. he attended the New York National Academy of Design and Jerry Farnsworth’s summer school in Provincetown, Mass. He worked as assistant to mural painters Francis S. Bradford (1939 N. Y. World’s Fair) and Ezra Winter (Library of Congress).

The Happy Day by Ruth Krauss (HarperCollins, 1949).

The Happy Day by Ruth Krauss (HarperCollins, 1949).

Simont’s first illustration job was for a pulp magazine that folded before he could collect his $25. Eventually he became an author and illustrator of children’s books, greatly influenced by Ursula Nordstrom, editor of Harper Bros. He illustrated books by Ruth Krauss, James Thurber, Marjorie Weinman Sharmat, Karla Kuskin among others. His illustrations for Janice May Udry’s A Tree is Nice won the Caldecott Medal in 1957, and he received Caldecott Honors for his pictures in Ruth Krauss’s The Happy Day and his own The Stray Dog. Simont has also been recognized by the Child Study Association, Society of Illustrators, N.Y. Academy of Sciences, N.J. Institute of Technology, American Institute of Graphic Arts, and Boston Globe/Horn Book Honor.  In 2008 his political cartoons were awarded the Hunter College James Aronson Award for “Cartooning With A Conscience.”

The 13 Clocks by James Thurber (Simon and Schuster, 1950).

The 13 Clocks by James Thurber (Simon and Schuster, 1950).

This curator’s favorite book is The Philharmonic Gets Dressed, by Karla Kuskin, published in 1982 by Harper and Row.  Kuskin’s story, in which “one hundred and five people are getting dressed to go to work”  is accompanied by Simont’s illustrations showing the musicians bathing, dressing, traveling to the concert hall, and “turning the black notes on white pages into a symphony.”

The Philharmonic Gets Dressed by Karla Kuskin (Harper and Row, 1982).

The Philharmonic Gets Dressed by Karla Kuskin (Harper and Row, 1982).

A wonderful story about Simont is retold in his obituary which appeared in the New York Times on July 16, 2013.  Simont and Robert McCloskey lived together in Greenwich Village when McCloskey was working on his classic Make Way for Ducklings.  In order to study ducklings more thoroughly for his drawings and with Simont’s assent, he brought home a family of ducklings which lived in the bathtub for several months.

Rest in peace, Mr. Simont.

–Terri J. Goldich

Marc Simont

Many Moons by James Thurber (Harcourt, 1990)

Many Moons by James Thurber (Harcourt, 1990)

The Northeast Children’s Literature Collection mourns the loss of our good friend, Marc Simont. Mr. Simont placed a significant amount of his work here and joined us at the CT Children’s Book Fair four times between 1993 and 2002. He was talented, charming and witty, and will be sincerely missed.

Stray Dog retold and illustrated by Marc Simont (HarperCollins, 2001)

Stray Dog retold and illustrated by Marc Simont (HarperCollins, 2001)

The finding aid at Archives & Special Collections at the Thomas J. Dodd Research Center describes Mr. Simont:

Marc Simont was born November 23, 1915, in Paris, France to Joseph and Dolores Simont from the Catalonian region of northeastern Spain. Joseph was an illustrator and artist/reporter for L’Illustration in Paris. Because his parents moved frequently Marc attended schools in Paris, Barcelona, and New York and became a U.S. citizen in 1926. Though he later attended art schools he considered his father his greatest teacher. He studied art in Paris at Académie Julian, Académie Ranson, and Andre Lhoté School. In the U.S. he attended the New York National Academy of Design and Jerry Farnsworth’s summer school in Provincetown, Mass. He worked as assistant to mural painters Francis S. Bradford (1939 N. Y. World’s Fair) and Ezra Winter (Library of Congress).

The Happy Day by Ruth Krauss (HarperCollins, 1949)

The Happy Day by Ruth Krauss (HarperCollins, 1949)

Simont’s first illustration job was for a pulp magazine that folded before he could collect his $25. Eventually he became an author and illustrator of children’s books, greatly influenced by Ursula Nordstrom, editor of Harper Bros. He illustrated books by Ruth Krauss, James Thurber, Marjorie Weinman Sharmat, Karla Kuskin among others. His illustrations for Janice May Udry’s A Tree is Nice won the Caldecott Medal in 1957, and he received Caldecott Honors for his pictures in Ruth Krauss’s The Happy Day and his own The Stray Dog. Simont has also been recognized by the Child Study Association, Society of Illustrators, N.Y. Academy of Sciences, N.J. Institute of Technology, American Institute of Graphic Arts, and Boston Globe/Horn Book Honor.  In 2008 his political cartoons were awarded the Hunter College James Aronson Award for “Cartooning With A Conscience.”

The 13 Clocks by James Thurber (Simon and Schuster, 1950)

The 13 Clocks by James Thurber (Simon and Schuster, 1950)

This curator’s favorite book is The Philharmonic Gets Dressed, by Karla Kuskin, published in 1982 by Harper and Row.  Kuskin’s story, in which “one hundred and five people are getting dressed to go to work”  is accompanied by Simont’s illustrations showing the musicians bathing, dressing, traveling to the concert hall, and “turning the black notes on white pages into a symphony.”Marc Simont "Philharmonic Gets Dressed"

A wonderful story about Simont is retold in his obituary which appeared in the New York Times on July 16, 2013.  Simont and Robert McCloskey lived together in Greenwich Village when McCloskey was working on his classic Make Way for Ducklings.  In order to study ducklings more thoroughly for his drawings and with Simont’s assent, he brought home a family of ducklings which lived in the bathtub for several months.

Rest in peace, Mr. Simont.

–Terri J. Goldich

David Polochanin’s new poetry

The recent James Marshall Fellowship awardee David Polochanin has published some new poems.  Check them out at  http://www.gadflyonline.com/home/index.php/how-to-write-a-poem/.

This curator’s favorite is “Dogs riding in cars, a brief analysis” with second favorite, “Moving in with Martha Stewart.”  Congratulations, David!