6,000,000,000 A Book of Images by Ross Sullivan-Wiley, 2004. From the Gus Mazzocca Collection of Books Printed at the UConn Printshop
New Book on Ruth Krauss and Crockett Johnson by Dr. Philip Nel
Dr. Philip Nel’s newest work, Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature, was published in September of 2012 by the University Press of Mississippi. This book is the culmination of years of work to bring to light the lives and times of the man who created Harold and the purple crayon and the woman who, with Maurice Sendak, created A Hole is to dig. Over the course of their marriage and collaborations, they created over 75 books and influenced some of the best in the business, including Chris van Allsburg who thanked Harold and his purple crayon in his Caldecott acceptance speech in 1981. Nel points out that while Krauss and Johnson were “never quite household names…Their circle of friends and acquaintances included some of the important cultural figures of the twentieth century.” (pg.7) This impeccably researched work which literally took Nel a decade to write, is arranged in 28 chapters, with extensive notes, bibliography, index and illustrations, some reprinted from published works and some from the three dozen archives he visited including the Northeast Children’s Literature Collection. In his epilogue, Nel writes, “Crockett Johnson shows us that a crayon can create a world, while Ruth Krauss demonstrates that dreams can be as large as a giant orange carrot. Whenever children and grown-ups seek books that invite them to think and to imagine, they need look no further than Johnson and Krauss. There, they will find a very special house, where holes are to dig, walls are a canvas, and people are artists, drawing paths that take them anywhere they want to go.” (pg. 275)
Congratulations, Dr. Nel, on an exceptional work of scholarship.
Philip Nel, Crockett Johnson and Ruth Krauss (Jackson : University Press of Mississippi, 2012). ISBN 978-1-61703-624-8. EBook 978-1-61703-625-5.
Insight on a Fellowship
In his third blog installment, Glastonbury teacher and writer David Polochanin, recipient of the James Marshall Fellowship, shares two of his original poems after reading poetry in the Dodd Collection, from the Joel Oppenheimer and Robert Creeley papers.
Blog post 3: On Poetry
“Cartography” and “Celebrating the Peace” by Joel Oppenheimer (Joel Oppenheimer Papers, Box 11, Archives & Special Collections, University of Connecticut Libraries). All rights reserved. No unauthorized reproduction allowed by any means for any reason.
3.20.13
Who would have
thought that
these papers,
with their typewriter
ink fading,
would see the
light of day
again, let alone
on this windy
Wednesday morning
in March?
When the poet
fashioned these words
40 years ago
they were
nothing special,
drafts scattered
in the author’s mind,
printed in a cluttered office,
gathering on the shelf
and the desk top,
in piles on the floor
against the wall,
and others in a stack
on the sill
beside a cactus.
The plant
(and the author)
have long since died
but today
I open a manila
folder and the poetry
comes alive, quite
a miracle, actually.
His words of reflection
and longing, poems
commemorating seasons,
and scenes
in New York City
that the poet likely
saw each day, planes
rising above the
Financial District,
papers blowing
on the sidewalk,
a bird that spent half
its morning jumping
from branch to branch
in a single tree
as a stream of taxis
formed one line
from here
to Central Park,
all of them turning at once,
then disappearing on
behind a monument
when I close this folder
and open the next.
“The Epic Expands” by Robert Creeley (Robert Creeley Papers, Box 2:Folder 48, Archives & Special Collections, University of Connecticut Libraries). All rights reserved. No unauthorized reproduction allowed by any means for any reason.
Sipping A Coke
Back when I was a kid
we used to sit on a porch
and sip Coke.
The parents sat in
rocking chairs,
holding their drink
in a bottle;
the young ones sat
on the concrete steps
flicking with their non-
drinking hand
the tiniest of pebbles
and the sun sat
motionless
in the sky.
We sipped it together.
We sipped it because
it was good. People
didn’t die because
of soft drinks, then.
No one developed
an addiction to caffeine
and diabetes
wasn’t a problem.
Having this drink allowed
us to chat about life,
about the dog’s laziness,
how the garden
was coming along,
and there was
a baseball game
on the radio
Saturday night.
Yes, those afternoons
had some kind
of timeless element.
I can still taste
the sweet soda
in my mouth
and I wonder
to this day
as I read this poem
what that
is all
about.
Take Back the Night, the Day, the Street, the Home…
Wednesday, April 17th is Take Back the Night on the University of Connecticut campus. An event recognized across North America in response to violence against wimmin. Since its inception Take Back the Night has been about reclaiming space beyond the physically passive act of recognition and observation. Wimmin, the disproportionate victims of domestic violence, rape, sexual assault and harassment, have found solidarity through the action of speaking out and mobilization en masse against this violence. It’s sister mobilization, Slutwalk, has also achieved support across the broad spectrum of wimmin who experience patriarchy in the streets, an intended social space for interaction in work, transit and play.
The Alternative Press Collection (APC) in the Archives contains numerous publications on wimmin-positive theory and praxis in response to gender violence since the 1960s. Of note is the feminist publication Aegis: Magazine on Ending Violence Against Women published in 1978 by the Feminist Alliance Against Rape. Defined by the magazine’s statement of purpose, the movement to build solidarity through information was seminal in establishing wimmin’s resources in regions where silence was (is) the normative response to gender violence:
The purpose of Aegis is to aid the efforts of feminists working to end violence against women. To this end, Aegis provides practical information and resources for grassroots organizers, along with promoting a continuing discussion among feminists of the root causes of rape, battering, sexual harassment and other forms of violence against women.
Depicted in the image below is the cover of the September/October 1979 issue, portraying the advocacy debate around wimmin’s rights to self defense.
In addition to our extensive APC collection of periodicals is a recently acquired special collection art installation about building solidarity and non-violence amongst wimmin through art therapy. In this case, pulping panties into paper! From the Peace Paper Project comes another alliterative piece, Panty Pulping! The installment consists of loose pieces of paper made from mulched wimmin’s underwear that has been forged anew through storytelling and constructing the foundations of a new page for which a narrative can be written about wimmins voices together.
To view these pieces or any materials about wimmin’s rights and radical feminism, please contact the curator.
Caught My Eye Today
Darlin’ Corey in the Fireside Book of Favorite American Songs. From the Billie M. Levy Collection. Never heard Darlin’ Corey? Try this.
‘Eyes Open, Perhaps Screaming’: Poetry of the Now
Celebrate National Poetry Month by exploring today’s poets and poetry available from our friends at the living-breathing heart of the now: poetry portals. These sites bring to the 21st century a tradition of independently curating, collecting and publishing poetry that existed during the mimeograph revolution of the 20th century. Kin to the muscular-yet-short-lived little magazines that thrived in the 1960s and 1970s, they are realms of the extraordinary, offering what the poet John Taggart in Number 1 (1969) of his little magazine Maps, describes as
…Poems [that] are not on the furthermost borders of the avant-garde. They are of the now in the continuum sense of ‘being’ – eyes open, perhaps screaming, but not leaping out of the present, and occasionally, they are of the past as renovated by those open eyes.
Caught My Eye Today
Caught My Eye Today
Through the Lens of an Anthropologist: Campus Unrest
Carey MacDonald is an undergraduate Anthropology major and writing intern. In her blog series Through the Lens of an Anthropologist, Carey analyzes artifacts found in the collections of Archives and Special Collections.
Students’ actions at the University of Connecticut during the Vietnam War era were charged with radical and idealistic electricity. At a time when the student population was smaller, quieter, and only a third of the size that it is today, the on-campus presence of Students for a Democratic Society (SDS) helped mobilize individuals who either did or did not associate themselves with the group. One action that took place on campus during this era was the ten-day long demonstration of December 1968. Producers A.H. Perlmutter and Morton Silverstein of National Educational Television captured this demonstration on film and turned it into the 1969 black and white production Diary of a Student Revolution.
The film suggests that the reason for that December’s unrest was that many students were strongly opposed to the principles of the companies conducting job recruitment interviews on campus. One such company was the DOW Chemical Company, the maker of both Saran Wrap and Napalm, a chemical weapon whose rampant usage in the Vietnam War became highly controversial in the U.S. in the late sixties. Students demonstrated against the university’s permission of DOW recruitment by first occupying the office of President Homer D. Babbidge in November 1968. SDS continued to garner support from some students and faculty and called for the student government to join their side on December 8, 2012. This was just the beginning of that December’s ten-day period of unrest.
Although the immediate cause of the December action was students’ opposition to recruiters on campus, interviews with students reveal the underlying moods and motivations advancing the demonstration. One individual stated, “Power, you know, is at the top; it’s held by a corporate elite. And the country is organized to protect the corporate elite.” Another student claimed that “this system cannot be tolerated and must be destroyed.” This severe distrust of American government and industry existed at a time when the Vietnam War was becoming more and more brutal and thus unpopular, and when social and civil rights activists like Abbie Hoffman and Martin Luther King, Jr. were at the forefront of the media.
In response to students’ and SDS’s call for a moratorium on recruiting starting on Tuesday, December 10, 1968, President Babbidge stated in a campus-wide announcement that, after great deliberation, there would be no moratorium on recruiting. Needless to say, that Tuesday saw the height of the action; people demonstrated against Babbidge’s announcement outside an off-campus building where recruiting was taking place. 67 students and faculty who weren’t formally associated with SDS were arrested by state police. The film shows that many of those individuals wished to be arrested to symbolize their dedication to the cause.
Contrarily, in an impromptu interview conducted in a lecture hall, a non-acting student called the acting students a “minority”, and one student claimed that the activists should be arrested and suspended. When a small number of SDS members entered that lecture hall to arouse their fellow students while the cameras were filming, a group of non-acting students shouted at them, “Keep the status quo, keep the status quo!” This debate would continue on until 1971, even after this specific period of action began to collapse on its ninth day.
The film also reveals President Babbidge’s tribulations during the demonstrations. Viewed by radical students as part of America’s ‘corporate elite’, Babbidge actually appears more conflicted and concerned than anything. We ultimately know from documents found in the President’s Office Records that Babbidge, too, believed in the same causes as the students, including racial, educational, occupational, and economic equality and justice. But he believed in pursuing different means to those ends. This can be seen in a statement he made on May 10, 1970 in response to another student action: “I can honestly say that I believe I understand the foundation causes of the student strike, I support many of them…but I cannot support the strike.”
The events of 1968 at the University of Connecticut indicate that the community struggled locally with issues that originated from society at large. Our university community continues to do the same today.
Carey MacDonald, writing intern
Caught My Eye Today
The UConn White Caps
The School of Nursing at the University of Connecticut was established in 1942 and accredited the following year. The first students received their caps in 1944, an event commemorated in a scrapbook created by the “White Caps,” the nursing student club. The capping ceremony took place on the evening of October 12, 1944 at the Community House situated near the Storrs Congregational Church. Dr. Albert Jorgensen provided the welcome and Dean Carolyn Widmer spoke, reminding “the girls to keep up high ideals in their future years of nursing. Mrs. Widmer then capped each girl, after which Miss Dolan, assistant to Mrs. Widmer, lit each girl’s Florence Nightingale candle. The newly capped girls then took the Cadet Nurses’ Pledge, as all are entering the Cadet Nurse Corps.” [Connecticut Campus, October 1944] The members of the first class in the University of Connecticut School of Nursing included Rhoda Grodin, Marijane Johnson, Selma Mag, Marilyn Olsen, Barbara Payne, Anne Pickett, Elaine Raymond, Shirlee Weinberg and Ann Winchester.
In November 2012, the University opened the Carolyn Widmer Wing of Storrs Hall, the long time home of the School of Nursing. Named in honor of the first Dean of the School, the wing “provides nursing students with a learning environment tailored to the special needs of nursing education and practice” (UConn Today, 11/5/12) underscoring the University’s ongoing commitment to the education and training of nurses symbolized in the capping ceremony so many years ago.
The White Caps’ scrapbook is part of the School of Nursing Records in the University Archives.