Hypocrite Lecteur: Final Post – The Moral

Daniel Allie is a senior undergraduate student in English. This is the final post in his series Hypocrite Lecteur 

I have kept nothing back, nor ought have I extenuated ; neither have I dealt in ornamental flourishes, for to the graces of refined composition I have little title, or indeed ambition, to lay claim. Plain truth I adopted as a polar star, which I intend to pursue invariably without compelling the reader to dance over the fairy land of metaphor, or grope through the darksome vallies of allegory (Tufts 364).

EverythingA fine way to end things. Here as I end this series I’m glad to report that I likely have a better claim on the truth of these words than Henry Tufts did, yet this isn’t enough for an end. I have now traversed the darksome valleys of the novel, autobiography, comedy, biography, oratory, and sermons, roughly between the years 1790 and 1810, and if there’s one thing I’ve learned from these texts, it’s that everything needs a moral. I need to leave you with something you may not have heard before but which is clearly exemplified through what I have been saying all along.

So here’s a moral for you: this literature is important. This literature is worth reading. This literature is good. It can be everything literature today is; it’s funny, sad, and surprising; it can entertain us as much as it can teach us. These texts are preserved in the archives, and they deserve to be there.

When we read Thomas Bellamy’s The Beggar Boy, we get a strangely frenetic and entertaining story, and see early nineteenth-century state of the novel; In Henry Tufts, we get the most ridiculously entertaining narrative I’ve ever read, along with the historical context to make it objectively important, the same way that Deborah Gannett’s life and The Female Review were important, regardless of how unfortunate her own self-repudiation was; In Theodore Hook’s The Soldier’s Return, we see an amusing glimpse of comedy, and the regard towards theater in the United States; and in the execution sermons, the application of capital punishment in the moral and economic life of society. Continue reading

Hypocrite Lecteur: Execution Sermons

When a man is so destitute of a sense of morality and the fear of God, and, by the commission of enormous crimes, becomes such a dangerous member of society, as to render it necessary that he be taken off by the hand of justice, the feelings of the public are, in some degree, interested in his history (Welch 19).

ExecutionSermonTitles“In some degree?” Understatement of the year, Rev. Mr. Moses C. Welch, in your native 1805 or any other year. People were interested, whether it the was the case of Samuel Freeman, Caleb Adams, Richard Doane or Henry Blackburn—condemned and executed murderers all—and so the public sermons spoken at their deaths were printed into nice little salable pamphlets including extra features.

Consequently, from these pamphlets we can get a really clear image of what kind of Continue reading

Hypocrite Lecteur: Deborah Sampson Gannett

I cannot desire you to adopt the example of our Heroine, should the like occasion offer ; yet, we must do her justice. (Mann 116)

Thus speaks Herman Mann, the author of The Female Review: or, Memoirs of an American Young Lady (1797), whose opinions in addition to his doubly-masculine name indicate his deep disapproval of his subject, Deborah Sampson Gannett, GannettTitle an unusual woman “whose life and character are peculiarly distinguished—Being a continental soldier for nearly three years in the late American war” (Mann 1).

That’s right, folks—here, after looking at the indomitable Henry Tufts, we have yet another unlikely veteran of the American Revolution, this time a woman, who, finding herself too constrained by society, “determined to burst the bands, which, it must be confessed, have too often held her sex in awe” (Mann 110), and “join[ed] the American Army in the character of a voluntary soldier” (114), “enrolled by the name of ROBERT SHURTLIEFF” (Mann 129).

Sound fascinating? Certainly. Brave? Undoubtedly. Improper? Ask Mann. Mann must ask the question of what to do with this woman war hero, as it is his self-appointed task to tell of Gannett’s actions, but his disapproval is apparent everywhere, beginning with a disclaimer that he writes “not with intentions to encourage the like paradigm of FEMALE ENTERPRISE—but because such a thing, in the course of nature, has occurred” (Mann iii). Get the picture? Don’t anybody get any ideas. You’re only hearing this story because it’s true. It happened, and Gannett did fine, and served her country with honor, but Mann doesn’t want to risk indicating approval.

Mann does, however, intend to influence the conduct of American women, with his text becoming by intention one of instruction. He begins by saying “there are but two degrees in the characters of mankind, that seem to arrest the attention of the public. The first is that of him, which is the most distinguished in laudable and virtuous achievements. . . The second, that of him, who has arrived to the greatest pitch of vice and wickedness” (Mann v), and that “whilst the former ever demands our love and imitation, the other should serve to fortify our minds against its own attacks.” Stories of virtue and stories of vice can all lead you to virtue. Mann doesn’t say which he thinks this story is, though, and when we consider that Henry Tufts speaks in the same way of his criminal autobiography, “that [the life] of the vicious, affords, also, instruction, by showing effects of vice and immorality” (Tufts vii), regard doesn’t seem too high for Gannett in The Female Review. Continue reading

Hypocrite Lecteur: Henry Tufts

Title page“He who was born to be hanged would never be drowned” (Tufts 118).

Born to be Hanged. The summation of a damnable life, and thus the best possible prospective title for a book which is instead entitled  A Narrative of the Life, Adventures, Travels and Sufferings of Henry Tufts, Now Residing at Lemington, in the District of Maine, In substance, as compiled from his own mouth (1807).

But why Born to be Hanged? Well you see, in his own time, “the name of HENRY TUFTS, the author and hero of the following narrative, [has] been famous, or rather infamous, through most of the United States” (Tufts 3). He was a criminal who eventually retired from crime and prison (by escaping) and wrote this delightful book about it all: within, read of how he and an accomplice were jailed and attempted to “burn a passage through the side of the jail, and so make our escape” (39), accidentally burning down the jail instead; how he “had learnt to disguise a horse so artificially. . . that the owner, to have known his property again, must have had uncommon sagacity” (115); how he traveled, “appearing sometimes in the character of a physician, and sometimes as priest, as best suited my purposes” (114); and how he once stole a horse by “personat[ing] him whom I had long served, vis. the Devil” (229).

Engravings1

Each chapter ends with a small engraving, ranging from the bucolic to the bizarre and horrid. Here are a few samples.

And much, much more! Let me not neglect to mention also that all of this happened during the Revolutionary War: after “the horrors of a civil war had burst forth between England and her colonies in America” (Tufts 101), even Henry takes up soldiering, though enlisting merely seems to him “the best method of supporting self and family, in a way consistent with my beloved ease, and at the same time, as, certainly more honorable than thievish pursuits, though a soldier in fact, may be a thief” (Tufts 101).

Seeing the Revolutionary War from the eyes of one who cared not one jot about it is really a remarkable thing. As noted by his first reviewer, Thomas Wentworth Higginson (some fifty years after Henry’s death), “the lives of vagabonds often afford the very best historical materials” (Higginson 605), and so “in him we have the reverse side of the Revolutionary soldier; he shows vividly the worst part of the material out of which Washington had to make an army” (Higginson 608).

Indeed, what bad material! Henry remains a thief, stealing one night “a couple of dunghill fouls” (Tufts 103), and “a couple of geese more” (Tufts 103) from a local farmer. Perhaps worse, too, dear Henry was not even reliably in the army. He enlisted numerous times, once “under Capt. True for three years” (Tufts 131), but “growing sick, at the thoughts of a three years’ campaign, and having now a convenient opportunity for desertion, I made use of the privilege” (Tufts 132). Additionally, he even engages in undermining the American economy: he meets a British agent, a counterfeiter, who tells him “that, as congress had issued a paper medium to raise armies, and pay off their troops, it imported their adversaries to discredit the currency as effectually as possible” (Tufts 178). He then readily accepts one thousand dollars in counterfeits, finding “not the slightest difficulty in passing them” (Tufts 179).

Thus our clever hero shows us the underside of the American Revolution, yet how much can we really trust a thief, no matter how much he tells us that “I have worn no Engravings2marks, no disguises, but have appeared in my every day dress” (Tufts 364)? We cannot. Conducting further research, I found only George Wadleigh in 1913 citing an incident of August 26, 1794, in which “Theophilus Dame, Sheriff [of Dover, N.H.], gives notice that ‘the noted Henry Tufts broke out of goal on the night of the 25th.’ He was ‘confined for his old offence, that is, teft,” (sic) and is described as ‘about six feet high, and forty years of age, wears his own hair, short and dark coloured, had on a long blue coat’” (Wadleigh 185).

Such confirmation of Tufts’ prison-breaking is helpful, though this is a lone source, as the only two other accounts I found were completely anecdotal, and possibly based on Tufts’ book alone. Charles Henry Bell writing in 1888 notes that “the jail in Exeter, during the Revolution. . .  was not a very safe place of confinement, as was proved by the notorious Henry Tufts and others having made their escape from it” (Bell 256), while, finally, Mary Pickering Thompson writes in 1892 that “the Tufts family. . . has acquired an unenviable notoriety from the exploits of Henry Tufts” (Thompson 257).

Thus, we have very little to confirm Tufts’ actual adventures, so what can we take away? Henry Tufts himself  believed his book to be moral, for “the history of the wise and benevolent is beneficial to society. . .  [while] that of the vicious, affords also, instruction, shewing the effects of vice and immorality” (Tufts 7). He intends to show his harmful acts truthfully, ab ovo usque ad mala—from beginning to end (Ovid, qtd. Tufts title page)—to inspire moral behavior.

This moral purpose is reinforced by other works published by Tufts’ publisher, Samuel Bragg of Dover. Bragg published the Dover newspaper The Sun, promising “Here Truth unlicensed Reigns” (Nelson 62), and, here in the archives, printed an “Oration, delivered on the fourth of July 1796” by the Rev. Simon Finley Williams, who (ironically, due to Henry) says how in the Revolution, “Heaven seemed to unite all Americans into one soul, except some fugitive Cains” (Williams 9). The ilk of Henry aside, though, these works uplift society, holding up the nation and the law itself, as also in Bragg’s publication of the New Hampshire constitution in 1805, or, even better, The Complete End page FinisJustice of the Peace, by Moses Hodgdon (1806), which states that “Governments may be predicated and enacted with an intention to cherish and support them ; but unless the magistrates, whose duty it is to execute the laws, feel an attachment to the first principles of their government. . . the laws themselves soon become a dead letter” (Hodgdon, Dedication, n.pag.).

Why then do we have Henry Tufts? Because of faulty magistrates, of course! But I jest. Bragg is involved in society and the law, and so also publishes the autobiography of a criminal, intending to improve society. Yet are we better for it? I delighted in Henry’s crimes. Moral indignation was far from my mind. How could one not be amused by his stealing a horse through drugging its guards, while pretending to be hunting for Henry Tufts, all while actually operating on a bet with the owner? How is burning down the jail, and so needing to stay with the warden’s family, with “thanksgiving being near” (Tufts 42) not amusing? Moreover, though we cannot confirm his adventures, how is a book written by someone in the era of the Revolutionary war not historically significant?

It’s at once historical and ahistorical; moral and amoral; honest and false; and I love it. Perhaps  this joy ultimately shows us that we are all somehow like Henry Tufts, for Meliora video, proboque, detiriore sequor (Ovid, qtd. Tufts title page): I see the better, and I approve, but I follow worse.

As a reader, I sure followed Henry Tufts.

Daniel Allie is a senior undergraduate student in English. For his blog series Hypocrite Lecteur he will spend the Spring 2014 Semester exploring nineteenth-century literature in a variety of genres from the Rare Books Collection housed in Archives and Special Collections at the Dodd Research Center.

Works Cited

Bell, Charles Henry. History of the Town of Exeter, New Hampshire. Boston: J. E. Farwell & Company, 1888. Web. Google Books. 1 March 2014.

Constitution and laws of the State of New-Hampshire : together with the Constitution of the United States. Published by authority. Dover: Samuel Bragg, jun. for the State, 1805. Print. [Dodd Center call number: Gaines 865].

Higginson, Thomas Wentworth. “A New England Vagabond.” Harper’s Magazine 76 (1888) 605-611. Web. Google Books. 1 March 2014.

Hodgdon, Moses. The complete justice of the peace. Dover: Charles Peirce and S. Bragg, jr, etc., 1806. Print. [Dodd Center call number: B3029].

Nelson, William (ed.). Documents Relating to the Colonial History of the State of New Jersey, vol. XIX. Paterson: The Press Printing and Publishing Co., 1897. Web. Google Books. 4 March 2014.

Thompson, Mary Pickering. Landmarks in Ancient Dover, New Hampshire. Concord: Concord Republican Press Association, 1892. Web. Google Books. 1 March 2014.

Tufts, Henry. A Narrative of the Life, Adventures, Travels and Sufferings of Henry Tufts, Now Residing at Lemington, in the District of Maine In substance, as compiled from his own mouth. Dover: Samuel Bragg, 1807. Print. [Dodd Center call number: A1838]

Wadleigh, George. Notable Events in the History of Dover, New Hampshire: From the First Settlement in 1623 to 1865. Tufts College Press, 1913. Web. Google Books. 1 March 2014.

Williams, Rev. Simon Finley. “An oration, delivered on the fourth of July 1796. Being the anniversary of the American independence at Meredith bridge.” Dover: Samuel Bragg, 1796. Print. [Dodd Center call number: Gaines P-929]

See Also: Tufts, Tom. “Henry Tufts, Black Sheep of an Otherwise Respectable Family.” Heather Wilkinson Rojo, Nutfield Genealogy. Web. 14 September 2012. Accessed 1 March 2014. [link: http://nutfieldgenealogy.blogspot.com/2012/09/henry-tufts-black-sheep-of-otherwise.html]

Hypocrite Lecteur: The Beggar Boy

“The Lady of the Castle!—Are we then to journey through deserts waste! Forests drear!—encounter one-eyed giants—destroy fell enchanters—lay waste castles, where ladies fair, and courtly and courageous knights have for centuries remained immured and spellbound—to come at—THE BEGGAR BOY?” (Bellamy 5).

BellamyTitleThus begins Thomas Bellamy’s The Beggar Boy, and to answer his own question, No. Our Mr. Bellamy was avowed to have “no talent for satire” (Baker 33), but has actually tricked us for a moment, led us on to think this is one kind of tale while it is actually another, a contemporary tale of his own time and place: Bellamy was “born in 1745, at Kingston-upon-Thames, in Surrey” (Baker 31), and had “a mind, susceptible to the pleasures of poetry, and indulging in propensities of innate genius. . .[which could] not long relish the business of common life” (Baker 32).

Bellamy thus became a writer, but “from this prospect of happiness he was summoned by death, after an illness of four days, Friday, August 29, 1800” ( Baker 33). Then was the unfinished Beggar Boy without a home, though Bellamy’s “good qualities secured him many friends” (Baker 33), one of whom—Elizabeth Sarah Villa-Real Gooch—completed the novel out of “a sincere friendship for Mr. Bellamy, which commenced many years ago, and continued, without interruption, to the day of his death” (Bellamy 3).

We are thus left with quite a story: after a complex first volume—in which Dame Sympkins, “the lady of the Castle,” dies; her husband remarries, then dies; his new widow Fanny remarries to a man named Goodwin, whom she abandons, while her brother at sea is thought dead (leading to their mother’s death) and returns after being wrecked on French shores and meeting a sympathizer who knows his mentor Admiral Sydney, who has died; and Sydney’s daughter Louisa has disappeared, so that it is necessary for their friend Mr. Lucas, the curate, to go and find her—“’Well!” says the reader, ‘and now we have travelled through one volume, out of three—and no Beggar Boy!’” (Bellamy 101).

Ay, where is he? “The child of misery is on his way,” the narrator assures us, “refuse not, fair and gentle country-women, your commiseration for—The Sorrows of Alfred!” (101), and so: Louisa Sydney runs away from home, falls into debt, marries, runs away, gives birth to Alfred, and dies; Alfred is abducted by Gypsies, and Martha, his new guardian, rescues him; Alfred is sent to Jamaica; Alfred returns and rescues a rich lady from a band of thugs; the rich lady is employing Martha; knows an admiral M’Bride, who knows Mr. Lucas, and knew Admiral Sydney; Alfred’s father pops up as a robber and M’Bride kills him out of self defense; M’Bride and Lucas get Alfred his grandfather’s estate back, and Alfred marries the rich lady’s daughter, surprising us all that he has now grown up.

The End. Finis. What are we to make of this? If things aren’t already clear enough: this BellamyEndis a moral tale, just as we would expect from a man with “an acute moral perception and an invariable affection for the best graces of the heart” (Baker 33), and so the novel concludes, “thus terminated the sorrows of ALFRED, whose infancy and youth had hitherto been marked by calamitous vicissitudes, resulting from the imprudence of a mother, involving herself in the fashionable dissipations of the time; while his own conduct had invariably claimed the protection of that providence, which pays no respect to persons” (340).

Gentle reader, harken then: Alfred is happy because of “the virtuous principles, and rectitude of heart, which had uniformly distinguished [his] character” (340), securing providence. Note, reader, the constant manner in which virtue is rewarded and vice is punished: coerced into “the abominable vice of drunkenness” (252), “[Alfred’s] ruin was DisadvantagesDrunkennessaccomplished and inevitable” (251): he is conscripted against his will, and sent to Jamaica. Such incidents abound throughout, echoing similar sentiments towards drink in American pamphlets found in our archives: “The Advantages and Disadvantages of Drunkenness” (1821), says “if you would effectually counteract your own attempts to do well, be a Drunkard ; and you will not be disappointed” (Collins 3); Nathaniel Gage’s “An Address on Intemperance. Pronounced at Nashua Village, N.H. April 4, 1829,” warns that “intemperance is destroying the fruits of intelligence, the strength of the people” (Gage 12).

So always in moderation, reader. Note, too, though, Bellamy’s main message, on providence. Providence is the unseen force guiding the novel, illustrated as both human and divine. At some point in the history of our volume, a reader highlighted the passage “alas! My friend, we are apt to murmur at the painful events which nature, in its appointed round, is sure to produce” (Bellamy 65), lamenting cruel fate, yet for Bellamy, providence can be secured through moral action. Alfred behaves well, and is so rewarded. Yet his fortune is due mainly to the people around him acting providentially on his behalf, making providence non-divine: Admiral M’Bride works to get Alfred his inheritance, and explains to others “that Alfred should remain ignorant of the object of the present journey, in case it should prove fruitless of any good to that young man” (Bellamy 297), personally enacting providence in Alfred’s life.

Bellamy’s moral? A sort of golden rule: do well unto others, and others will do well unto you, or, perhaps simply do well to yourself, and others will do well unto you. Take this away if you will, but I take away something more: a novel that through its haphazard plotting enacts its moral, and so a deeper understanding of the form of the moralistic novel, and an appreciation for their apparent absurdity; a closer look at more popular writing of this time period, from a forgotten novelist; and some perspective on the concerns of the time. And what a story! There may be no Deserts Waste! Forests Drear! Fell Enchanters! Castles! or Knights and Ladies! yet where else can you find a story where two ostensible protagonists die within the first ten pages; where our real protagonist shows up late; is kidnapped repeatedly; and can cross the Atlantic and come back in the space of ten pages as if nothing happened?

I think it’s safe to say, only in The Beggar Boy.

Daniel Allie is a senior undergraduate student in English. For his blog series Hypocrite Lecteur he will spend the Spring 2014 Semester exploring nineteenth-century literature in a variety of genres from the Rare Books Collection housed in Archives and Special Collections at the Dodd Research Center.

Works Cited

Baker, David Erskine. “Bellamy, Thomas.” Biographia Dramatica: or, a Companion to the Playhouse. London: Longman, Hurst, Rees, et al. 1812. 31-33. Web. Google Books. Accessed 16 February 2014.

Bellamy, Thomas. The Beggar Boy: A Novel. Alexandria: Cottom and Stewart, 1802. Print. [Dodd Center Call Number: A619]

Collins, F. “The Advantages and Disadvantages of Drunkenness.” Cambridge: Trustees of the Publishing Fund, 1821. Print. [Dodd Center Call Number: WHV 25]

Gage, Nathaniel. “An Address on Intemperance. Pronounced at Nashua Village, N.H. April 4, 1829.” Dunstable: Thayer &Wiggin, 1829. Print. [Dodd Center Call Number: WHV 56]