2013-0052_gm030 Emzon Shung and Chron.Dis. Present, Box 1 Folder 1. Joe Snow Punk Rock Collection, Archives and Special Collections, Thomas J. Dodd Research Center at the University of Connecticut.
This summer, Research Assistant of Digital Media & Design Clarissa Ceglio and Archivist Graham Stinnett will be co-teaching two courses on Digital Humanities and Archives. The courses are for junior’s in high school intended to provide them with early education in University tools and resources such as libraries, archives and digital instruction. The course will focus its primary source work on the Joe Snow Punk Rock Collection at the Archives & Special Collections, where students will have a first hand experience with punk flyers, posters, stickers, pins and ephemera within the collection. Students will benefit from a behind the scenes experience with historical records and artifacts in an archives to prepare them for future research access in an academic setting. The archival experience will then be extended into the digital realm, where students will construct portals for digital content and description and analysis of primary resources on the web. Students will learn about techniques for manipulating digital content and interface tools to build contextual digital media pages. Providing students the opportunity to engage in archival resources at an early age promotes further investigation into historical documents as education and research continues at the University level and beyond.
The Archives and Special Collections in collaboration with the Dodd Center and Booklyn Artists Alliance, are hosting two days of events on War, Struggle and Visual Politics: Art on the Frontlines. Events will be held in the Dodd Research Center on April 21st and 22nd in conjunction with the Week In Humanities. Artists Seth Tobocman, Stephen Dupont, Marshall Weber, Chantelle Bateman and Aaron Hughes will be holding talks, workshops and presenting artwork around the focus of politics and activism in art and war. Students, community members, veterans and artists are encouraged to attend these events to provide a dynamic facilitation of how we utilize art, activism and memory to cope with war.
Art work will be on display in galleries as follows:Aaron Hughes : Institute for the Humanities : College of Liberal Arts and Sciences
Seth Tobocman : Contemporary Art Gallery : School of Fine Art
Stephen Dupont : Coop Bookstore : Downtown Stores
For a full list of events, please follow this link for the Week in Humanities.
A co-curated gallery exhibition of alternative arts of the 1980s is currently on display at the Dodd Center. This exhibit features selections of dial-a-poems, artists’ books, offset lithography, punk rock, zines, buttons, show flyers, cyberpunk literature, comic books and related ephemera from the Archives & Special Collections. By focusing on underground visual and aural arts of fringe countercultures, our goal is to demonstrate the range of expression found within these distinct cultural enclaves. The show offers materials from three distinct curatorial areas, however the threads that tie these materials together become interwoven through their reactions to the dominant modes of production of the era.
March 3-May 11, 2014
Thomas J. Dodd Research Center
Gallery Hours: 8:30-4:30, Monday – Friday
For more information on the libraries ongoing exhibits, please visit the exhibitions page.
A recent acquisition to the Alternative Press Collection is one of the first record albums to be printed in Connecticut of the musical genre popularly known as punk rock. Printed in 1978 by 21st Century Records, the band Epitome released their first album, a self titled vinyl 12″, Epitomeep, containing three tracks: The Thief of Lover’s Lane, Baby No More Tears, and Transistor Sister. Epitome formed in 1977 in Stratford, CT. Playing venues from Bridgeport’s own The Snakepit, The Shandy Gaff in Milford to New York City’s famous C.B.G.B.’s and Max’s Kansas City. The youth culture which formed out of the punk scene represents a politicized anti-establishment ethos and aesthetic that challenged previous youth movements from the late 1960s student based revolt.
To listen to this record, please make an appointment with the Alternative Press Curator.