The Spring 2020 semester is off to a roaring start with curricular engagement in the Archives & Special Collections. In addition to several classes visiting the archives for introductory sessions, return visits for collections use, and weekly sessions about memory and the recorded past, the UConn archives is taking part in teaching a School of Music seminar for the first time this semester. Currently, Archivist Graham Stinnett is co-teaching Music 3410W on Archives, Music, Memory and Culture with Prof. Jesús Ramos-Kittrell, Assistant Professor in Residence of Music History and Ethnomusicology in the UConn School of Fine Arts.
Students have engaged with assigned readings from popular culture scholars to critical theorists, amateur historians and archivists, as well as producers in the record business and public librarians. The course works with three major musical genres, the Country Blues, Psychedelic Rock, and Punk Rock drawing from the respective collecting areas at the UConn Archives: Samuel and Ann Charters Archives of Blues and African American Vernacular Musical Culture; Alternative Press Collection; Joe Snow Punk Rock Collection. Students are asked to engage with primary sources to investigate the production of a musical culture through its recorded past. As a writing class requirement the students will produce a research project and presentation drawing on topics found in the archives as well as their personal experiences with music in the digital age and notions of their own personal archives as far as the materialist commodity of music is concerned.
We look forward to working with students this semester to develop their critical learning skills through archives and producing unique and engaging projects that shed light on how young adults engage with music and make it their own.
An exhibition is currently on display about Hobo culture, train hopping, and boxcar art over the last 150 years. The exhibit will run from January 9 – February 28, 2020 in the Thomas J. Dodd Research Center Gallery at the University of Connecticut. Drawing from the extensive railroad collections at the UConn Archives & Special Collections, this exhibit seeks to present the love of trains from an alternative approach through art, folklore, and travelogue.
The exhibition will feature an opening reception and film showing of Bill Daniel’s Who is Bozo Texino:the epic account of the improbable discovery of the true identity of the world’s greatestboxcar artist. (2005) on Thursday, February 6th, 2020 from 7-9pm.
The next installation of the traveling exhibition, Live at The Anthrax, is currently hosted at Counter Weight Brewing Co. in Hamden, CT and will run from September 5th-December 15th, 2019. This exhibition features 20 black & white photographs from the Joe Snow Punk Rock Collection, taken by Joe in the late 1980s during the final years of The Anthrax club in Norwalk, CT. Bands featured in the selection include local CTHC staples such as Wide Awake and NY Hardcore bands Up Front and Absolution to seminal acts such as Fugazi. This curated exhibition highlights the dedication, energy and lived values of those who formed the hardcore scene and turned it into a community. This exhibit seeks to expose the public to archival collections outside of a traditional archives setting in order to promote access to rich cultural materials like those of the Joe Snow Punk Rock Collection in everyday spaces like record stores, breweries and community spaces. This exhibition is free and open to the public.
The UConn Archives presents Live at the Anthrax, an exhibition of performance photography from the Joe Snow Punk Rock Collection, on display for the first time. Joe photographed the thriving Connecticut Hardcore Punk Rock (CTHC) scene in the late 1980s during the final years of the Anthrax club in Norwalk. Bands featured in the selection include local CTHC staples such as Wide Awake and NY Hardcore bands Up Front and Absolution to seminal acts such as Fugazi. This curated exhibition highlights the dedication, energy and lived values of those who formed the hardcore scene and turned it into a community. On display at Willimantic Records from April 19 – August 9, 2019 with a featured opening event on May 3rd from 5-7pm. This event is free and open to the public.
2013-0052_gm030 Emzon Shung and Chron.Dis. Present, Box 1 Folder 1. Joe Snow Punk Rock Collection, Archives and Special Collections, Thomas J. Dodd Research Center at the University of Connecticut.
This summer, Research Assistant of Digital Media & Design Clarissa Ceglio and Archivist Graham Stinnett will be co-teaching two courses on Digital Humanities and Archives. The courses are for junior’s in high school intended to provide them with early education in University tools and resources such as libraries, archives and digital instruction. The course will focus its primary source work on the Joe Snow Punk Rock Collection at the Archives & Special Collections, where students will have a first hand experience with punk flyers, posters, stickers, pins and ephemera within the collection. Students will benefit from a behind the scenes experience with historical records and artifacts in an archives to prepare them for future research access in an academic setting. The archival experience will then be extended into the digital realm, where students will construct portals for digital content and description and analysis of primary resources on the web. Students will learn about techniques for manipulating digital content and interface tools to build contextual digital media pages. Providing students the opportunity to engage in archival resources at an early age promotes further investigation into historical documents as education and research continues at the University level and beyond.
The Archives and Special Collections in collaboration with the Dodd Center and Booklyn Artists Alliance, are hosting two days of events on War, Struggle and Visual Politics: Art on the Frontlines. Events will be held in the Dodd Research Center on April 21st and 22nd in conjunction with the Week In Humanities. Artists Seth Tobocman, Stephen Dupont, Marshall Weber, Chantelle Bateman and Aaron Hughes will be holding talks, workshops and presenting artwork around the focus of politics and activism in art and war. Students, community members, veterans and artists are encouraged to attend these events to provide a dynamic facilitation of how we utilize art, activism and memory to cope with war.
Art work will be on display in galleries as follows:Aaron Hughes : Institute for the Humanities : College of Liberal Arts and Sciences
Seth Tobocman : Contemporary Art Gallery : School of Fine Art
Stephen Dupont : Coop Bookstore : Downtown Stores
For a full list of events, please follow this link for the Week in Humanities.
A co-curated gallery exhibition of alternative arts of the 1980s is currently on display at the Dodd Center. This exhibit features selections of dial-a-poems, artists’ books, offset lithography, punk rock, zines, buttons, show flyers, cyberpunk literature, comic books and related ephemera from the Archives & Special Collections. By focusing on underground visual and aural arts of fringe countercultures, our goal is to demonstrate the range of expression found within these distinct cultural enclaves. The show offers materials from three distinct curatorial areas, however the threads that tie these materials together become interwoven through their reactions to the dominant modes of production of the era.
March 3-May 11, 2014
Thomas J. Dodd Research Center
Gallery Hours: 8:30-4:30, Monday – Friday
For more information on the libraries ongoing exhibits, please visit the exhibitions page.
A recent acquisition to the Alternative Press Collection is one of the first record albums to be printed in Connecticut of the musical genre popularly known as punk rock. Printed in 1978 by 21st Century Records, the band Epitome released their first album, a self titled vinyl 12″, Epitomeep, containing three tracks: The Thief of Lover’s Lane, Baby No More Tears, and Transistor Sister. Epitome formed in 1977 in Stratford, CT. Playing venues from Bridgeport’s own The Snakepit, The Shandy Gaff in Milford to New York City’s famous C.B.G.B.’s and Max’s Kansas City. The youth culture which formed out of the punk scene represents a politicized anti-establishment ethos and aesthetic that challenged previous youth movements from the late 1960s student based revolt.
To listen to this record, please make an appointment with the Alternative Press Curator.