Dodd’s Congo Foray

Thomas J. Dodd and Moise Tshombe, 1961

Thomas J. Dodd and Moise Tshombe, 1961

“…the role of the Senate [is] to advise on foreign policy and not merely to assent to faits accomplish…”

Sen. Thomas J. Dodd to Sec. of State Dean Rusk, December 1964[i]

 Within two weeks of the Congo gaining independence from Belgium in June 1960, the mineral-rich Katanga province attempted to secede, thrusting the country into chaos. The Eisenhower administration intervened in order to prevent a communist takeover of the nation. During the Kennedy administration U.S. involvement marked an unprecedented projection of American power in sub-Saharan Africa. As Secretary of State Dean Rusk said in July of 1962, “there was no other problem including Berlin in which [the] President, [the] Secretary and senior colleagues have spent as much time as [the] Congo.”[ii] The event created a paper trail at the Kennedy Presidential Library second only in volume to Vietnam; surpassing that of Britain, and even of the Soviet Union.[iii] When including donations to UN operations, U.S. aid given to that country amounted to hundreds of millions of dollars.

As I argue more thoroughly in my dissertation, the Kennedy administration viewed the crisis not only as central to the Cold War, but also to decolonization. In 1960 alone, seventeen African nations declared independence. By intervening in the Congo, Kennedy wanted to prove to newly emerging nations on the African continent, as well as the Third World at large, that American-styled democracy and capitalism could secure political and economic freedom for colonially oppressed peoples. Like other U.S. interventions during this era, however, events did not turn out as American policymakers had expected. Gen. Joseph Mobutu ascended to power in 1965, ruling the country as a dictator until 1997. The decay of the state under his rule contributed to the destabilization of the region and approximately five million deaths even after he had departed from power.[iv]

Sen. Thomas J. Dodd (D-CT) was one of the leading opponents of the Kennedy administration’s policies in the Congo.  Believing Kennedy’s sympathy with Third World nationalism had caused the President to lose sight of the larger Cold War struggle, Dodd used his position on the Senate Foreign Relations Committee to effectively challenge the power of the executive branch. Dodd supported Moise Tshombe, the leader of Katanga with whom the Kennedy administration was at odds. Even though Tshombe was reviled by the Afro-Asian bloc for betraying Patrice Lumumba, the first Prime Minister of the Congo who was assassinated by Belgium in 1961, Dodd argued that the United States should nonetheless support Tshombe’s bid for power since he was a self-avowed anti-communist willing to partner with the West.

The UN thwarted Tshombe’s secession in 1963, but through an unlikely turn of events he became Prime Minister in 1964. By then the Kennedy administration’s nation-building efforts had failed to transform the Congo into a viable nation-state, and leftist revolutionaries with support from Algeria, Cuba, and China, were seeking to overthrow the government. Dodd’s persistent lobbying in Washington had kept alive the possibility of Tshombe becoming an American ally. Indeed, Dodd’s advocacy made a difference when the Johnson administration began searching for a new Congolese leader to back, one capable of warding off the revolutionaries and partnering with the West to bring stability to the country.

As a recipient of a Rose and Sigmund Strochlitz Travel Grant, I was able to spend a week examining Dodd’s papers at the Archives & Special Collections at the Thomas J. Dodd Research Center located on the campus of the University of Connecticut in Storrs.  With approximately seven linear feet of material relating to the Congo, it is an especially rich collection that provides a detailed account of the Senator’s opposition to the Kennedy administration’s policies as well as his advocacy for Tshombe. Some of the highlights of the collection include private memoranda between Dodd and his staff, the itinerary and notes from Dodd’s trip to the Congo in 1961, speeches and periodical articles written by Dodd, reports from American missionaries in the Congo, and correspondence between Dodd and Presidents Kennedy and Johnson, Secretary of State Rusk, Tshombe, and Tshombe’s representatives. The collection also contains official government documents from Katanga, including cabinet meeting minutes.[v]

Scholars studying U.S. foreign policy and/or the Congo will find this collection informative. It serves as a prescient reminder that congress can effectively challenge a president’s foreign policy, and helps reveal the agency and vision of Tshombe whom conventional narratives have portrayed as a puppet of Western interests. Recent events in that country demand that we examine its history, of which this collection helps to illuminate.

–William Mountz, PhD Candidate, University of Missouri

Recipient of  a 2013 Strochlitz Travel Grant


[i] Letter from Sen. Thomas J. Dodd to Sec. of State Dean Rusk, 21 Dec. 1964, Box 260, Thomas J. Dodd Papers, Archives & Special Collections at the Thomas J. Dodd Research Center, University of Connecticut, Storrs, CT.

[ii] Telegram from the Department of State to the Embassy in the Congo, 7 Jul. 1962, Foreign Relations of the United States, 1961-1963, vol. 20 (Washington, DC: GPO, 1994), 501-503.

[iii] John Kent, America, the U.N. and Decolonization: Cold War Conflict in the Congo (New York: Routledge, 2010), 2.

[iv] Gerard Prunier, Africa’s World War: Congo, the Rwandan Genocide, and the Making of a Continental Catastrophe (New York: Oxford University Press, 2011); Jason Stearns, Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa (New York: PublicAffairs, 2011).

[v] Researchers will also be happy to know that they will encounter an exceptionally professional and friendly archival staff.

Marc Simont

Many Moons by James Thurber (Harcourt, 1990)

Many Moons by James Thurber (Harcourt, 1990)

The Northeast Children’s Literature Collection mourns the loss of our good friend, Marc Simont. Mr. Simont placed a significant amount of his work here and joined us at the CT Children’s Book Fair four times between 1993 and 2002. He was talented, charming and witty, and will be sincerely missed.

Stray Dog, retold and illustrated by Marc Simont (HarperCollins, 2001)

Stray Dog, retold and illustrated by Marc Simont (HarperCollins, 2001)

The finding aid at Archives & Special Collections at the Thomas J. Dodd Research Center describes Mr. Simont:

Marc Simont was born November 23, 1915, in Paris, France to Joseph and Dolores Simont from the Catalonian region of northeastern Spain. Joseph was an illustrator and artist/reporter for L’Illustration in Paris. Because his parents moved frequently Marc attended schools in Paris, Barcelona, and New York and became a U.S. citizen in 1926. Though he later attended art schools he considered his father his greatest teacher. He studied art in Paris at Académie Julian, Académie Ranson, and Andre Lhoté School. In the U.S. he attended the New York National Academy of Design and Jerry Farnsworth’s summer school in Provincetown, Mass. He worked as assistant to mural painters Francis S. Bradford (1939 N. Y. World’s Fair) and Ezra Winter (Library of Congress).

The Happy Day by Ruth Krauss (HarperCollins, 1949).

The Happy Day by Ruth Krauss (HarperCollins, 1949).

Simont’s first illustration job was for a pulp magazine that folded before he could collect his $25. Eventually he became an author and illustrator of children’s books, greatly influenced by Ursula Nordstrom, editor of Harper Bros. He illustrated books by Ruth Krauss, James Thurber, Marjorie Weinman Sharmat, Karla Kuskin among others. His illustrations for Janice May Udry’s A Tree is Nice won the Caldecott Medal in 1957, and he received Caldecott Honors for his pictures in Ruth Krauss’s The Happy Day and his own The Stray Dog. Simont has also been recognized by the Child Study Association, Society of Illustrators, N.Y. Academy of Sciences, N.J. Institute of Technology, American Institute of Graphic Arts, and Boston Globe/Horn Book Honor.  In 2008 his political cartoons were awarded the Hunter College James Aronson Award for “Cartooning With A Conscience.”

The 13 Clocks by James Thurber (Simon and Schuster, 1950).

The 13 Clocks by James Thurber (Simon and Schuster, 1950).

This curator’s favorite book is The Philharmonic Gets Dressed, by Karla Kuskin, published in 1982 by Harper and Row.  Kuskin’s story, in which “one hundred and five people are getting dressed to go to work”  is accompanied by Simont’s illustrations showing the musicians bathing, dressing, traveling to the concert hall, and “turning the black notes on white pages into a symphony.”

The Philharmonic Gets Dressed by Karla Kuskin (Harper and Row, 1982).

The Philharmonic Gets Dressed by Karla Kuskin (Harper and Row, 1982).

A wonderful story about Simont is retold in his obituary which appeared in the New York Times on July 16, 2013.  Simont and Robert McCloskey lived together in Greenwich Village when McCloskey was working on his classic Make Way for Ducklings.  In order to study ducklings more thoroughly for his drawings and with Simont’s assent, he brought home a family of ducklings which lived in the bathtub for several months.

Rest in peace, Mr. Simont.

–Terri J. Goldich

Marc Simont

Many Moons by James Thurber (Harcourt, 1990)

Many Moons by James Thurber (Harcourt, 1990)

The Northeast Children’s Literature Collection mourns the loss of our good friend, Marc Simont. Mr. Simont placed a significant amount of his work here and joined us at the CT Children’s Book Fair four times between 1993 and 2002. He was talented, charming and witty, and will be sincerely missed.

Stray Dog retold and illustrated by Marc Simont (HarperCollins, 2001)

Stray Dog retold and illustrated by Marc Simont (HarperCollins, 2001)

The finding aid at Archives & Special Collections at the Thomas J. Dodd Research Center describes Mr. Simont:

Marc Simont was born November 23, 1915, in Paris, France to Joseph and Dolores Simont from the Catalonian region of northeastern Spain. Joseph was an illustrator and artist/reporter for L’Illustration in Paris. Because his parents moved frequently Marc attended schools in Paris, Barcelona, and New York and became a U.S. citizen in 1926. Though he later attended art schools he considered his father his greatest teacher. He studied art in Paris at Académie Julian, Académie Ranson, and Andre Lhoté School. In the U.S. he attended the New York National Academy of Design and Jerry Farnsworth’s summer school in Provincetown, Mass. He worked as assistant to mural painters Francis S. Bradford (1939 N. Y. World’s Fair) and Ezra Winter (Library of Congress).

The Happy Day by Ruth Krauss (HarperCollins, 1949)

The Happy Day by Ruth Krauss (HarperCollins, 1949)

Simont’s first illustration job was for a pulp magazine that folded before he could collect his $25. Eventually he became an author and illustrator of children’s books, greatly influenced by Ursula Nordstrom, editor of Harper Bros. He illustrated books by Ruth Krauss, James Thurber, Marjorie Weinman Sharmat, Karla Kuskin among others. His illustrations for Janice May Udry’s A Tree is Nice won the Caldecott Medal in 1957, and he received Caldecott Honors for his pictures in Ruth Krauss’s The Happy Day and his own The Stray Dog. Simont has also been recognized by the Child Study Association, Society of Illustrators, N.Y. Academy of Sciences, N.J. Institute of Technology, American Institute of Graphic Arts, and Boston Globe/Horn Book Honor.  In 2008 his political cartoons were awarded the Hunter College James Aronson Award for “Cartooning With A Conscience.”

The 13 Clocks by James Thurber (Simon and Schuster, 1950)

The 13 Clocks by James Thurber (Simon and Schuster, 1950)

This curator’s favorite book is The Philharmonic Gets Dressed, by Karla Kuskin, published in 1982 by Harper and Row.  Kuskin’s story, in which “one hundred and five people are getting dressed to go to work”  is accompanied by Simont’s illustrations showing the musicians bathing, dressing, traveling to the concert hall, and “turning the black notes on white pages into a symphony.”Marc Simont "Philharmonic Gets Dressed"

A wonderful story about Simont is retold in his obituary which appeared in the New York Times on July 16, 2013.  Simont and Robert McCloskey lived together in Greenwich Village when McCloskey was working on his classic Make Way for Ducklings.  In order to study ducklings more thoroughly for his drawings and with Simont’s assent, he brought home a family of ducklings which lived in the bathtub for several months.

Rest in peace, Mr. Simont.

–Terri J. Goldich

David Polochanin’s new poetry

The recent James Marshall Fellowship awardee David Polochanin has published some new poems.  Check them out at  http://www.gadflyonline.com/home/index.php/how-to-write-a-poem/.

This curator’s favorite is “Dogs riding in cars, a brief analysis” with second favorite, “Moving in with Martha Stewart.”  Congratulations, David!

Claudia Rueda’s new book

Rueda cover 2013 Rueda 2013 pg6Congratulations to Claudia Rueda, Billie M. Levy Travel Grant recipient in 2009, for the new English translation of her 2011 book “Todos es relativos.” This one is “Is it Big or Is it Little?” and is published by Eerdmans Books for Young Readers.  This is a charming book for the youngest readers which compares concepts such as deep and shallow, long and short, and beginning and end.  Felicitaciones, Claudia!

Summer 2013 Interns

Each summer Archives & Special Collections offers internships to graduate students from a broad spectrum of academic backgrounds.  Interns work with collections preserved by the Dodd Research Center and learn the intricacies of preparing collections for future use by researchers.  Archives & Special Collections benefits from the focused attention of these young scholars who work to enhance access to the collections we steward. This summer we are pleased to have five students working on a variety of projects.  Pictured below are (seated) Arielle Rubins, (standing, l-r) Jorge Santos, Andrew Maloney and Jeffrey Egan. Not pictured is Jessica Strom.

Arielle (Psychology) is working on the development of a comprehensive finding aid for the University Photograph Collection.

Jorge (English) is extracting information from a database describing
materials in the Ed Young Papers in preparation for
the publication of the first finding aid available for the Young Papers.

Andrew (Library Science) is involved in the research and preparation of materials for a publication focused on the work of children’s author and illustrator, Tomie dePaola.

Jeff (History) is processing a portion of the papers of Congressman Bruce Morrison and updating the associated finding aid for the papers.

Jessica (History) has returned this summer to continue her work with a rare collection of broadsides from the period of the Italian Risorgimento.  She is selecting broadsides from 1848 that will be digitized and made available online in September 2013.

Summer Interns, 2013

Summer Interns, 2013

Exhibit opening: PRINCESS FOR A DAY

Princess for a Day

Princess for a Day

Please join us for the formal opening of

PRINCESS FOR A DAY: WEDDING GOWNS FROM 1860- 1960

June 27, 2013 from 4 -6 pm in the Thomas J. Dodd Research Center.

The gowns are on display in the John McDonald Reading Room

from May 5th through August 31st, 2013.

 

Queen Victoria married Prince Albert in 1840 and was photographed in her white wedding gown of heavy silk satin woven at Spitalfields in East London.  Her portrait was spread around the world and this exhibition shows the results of those wedding fashions traveling to America.  Wedding gowns from UCONN’s Historical Costume and Textile Collection give a look at a time in American history when the concept of weddings changed, following in the steps of the European Royals, hoping to live happily ever after.

 

RSVP for opening reception to: princessforadayuconn@gmail.com

The Railroad of “Bankruptcy, Litigation, Fraud and Failure”

The "Hookset," built in 1842 at the Hinkley & Drury Shops for the Concord Railroad.  Was Locomotive #1 of the Boston, Hartford & Erie Railroad in 1863, then the New York & New England Railroad's Locomotive #1 in 1871.  From the Frances D. Donovan Papers, Archives & Special Collections, University of Connecticut Libraries.

The “Hookset,” built in 1842 at the Hinkley & Drury Shops for the Concord Railroad. Was Locomotive #1 of the Boston, Hartford & Erie Railroad in 1863, then the New York & New England Railroad’s Locomotive #1 in 1871. From the Frances D. Donovan Papers, Archives & Special Collections, University of Connecticut Libraries.

One hundred and fifty years ago, in June 1863, the Boston, Hartford & Erie Railroad was incorporated with the goal of forming a gateway to western markets for New England goods and of bringing coal from Pennsylvania into New England by way of Newburgh, New York, to Waterbury, Connecticut, and beyond.  Its lofty goal disintegrated when it came under the control of “as ribald a bunch of crooks as railroad history has ever produced,” wrote D.W. McLaughlin in his article “Poughkeepsie Gateway,” for the October 1968 issue of the Bulletin of the Railway & Locomotive Historical Society.  The railroad ran into a myriad of troubles, including the realization that building an east-west route across Connecticut would involve navigating the state’s ridge lines, the problem of aligning with the non-standard gauge of track on the Erie Railroad (the western line it would hook up with once the railroad cars crossed the Hudson River), and the lack of a bridge for which to travel over the river.  That apparently did not stop the railroad’s promoters from selling stock in the line, which they proceeded to mercilessly raid and pillage.  The legislature of the state of Massachusetts was persuaded to give $3,000,000 in grants, odd in that the bulk of the railroad didn’t actually travel in that state, as it went into Connecticut.  By the time the graft caught up with all the players, in 1870, the railroad was in bankruptcy with a mere $10.00 left in its accounts, Massachusetts was out all of the money it invested, and very little actual railroad track was ever laid.  The remaining assets were transferred to the receivers of the New York & New England Railroad, who rerouted the railroad line from New York City to Boston and eventually became part of the New Haven Railroad system.

When Irish Eyes are Reading

Jeffrey Egan is a graduate summer intern in Archives & Special Collections working on the papers of Congressman Bruce Morrison.  Jeff is a PhD. Student in US History at the University of Connecticut.  His dissertation will examine the social and environmental history of the creation of the Quabbin Reservoir in Massachusetts during the 1920s and 1930s.

This summer, as Congress debates a bill designed to overhaul the US immigration system, one former representative from the state of Connecticut will have his ear to the ground.  Bruce A. Morrison, a Democrat who served as a Representative for Connecticut’s Third District from 1983 to 1991, is an ardent supporter of immigration reform.  During his tenure in congress, he was appointed Chairman of the House Subcommittee on Immigration and supported the passage of the Immigration Act of 1990, the last substantial immigration bill passed by the US legislature.  Perhaps his most celebrated addition to the legislation, especially in the estimation of Irish-Americans, was the “Morrison Visa” program, which increased the number of visas granted to various nationalities including 48,000 for Irish immigrants.  Morrison later served as a member of the US Commission on Immigration Reform, which produced a report in 1997 recommending further action on the issue.

blog_Morrison2

Letter to Bruce Morrison from President Bill Clinton, July 25, 1995

Beyond documents relating to immigration reform, the Bruce A. Morrison papers include materials from his 1990 campaign for the Connecticut governorship, his work as chair of the Federal Housing Finance Board, and his role in the Irish peace negotiations during the 1990s.  A former Yale Law School classmate of Bill Clinton, Morrison also devoted his political energies to rallying Irish-American support for the Clinton/Gore campaigns in 1992 and 1996.

As a graduate student intern at the Archives & Special Collections of the Thomas J. Dodd Center, my task is to prepare Mr. Morrison’s papers for the researchers of the future.  Just a few short weeks into the summer internship, my project has opened my eyes to the vitally important, and challenging, work of archival management that makes possible my studies as a graduate student in the history department.  Working behind the scenes, an archivist must strike a delicate balance between enhancing ease of access to a person’s papers and retaining the organizational integrity of the documents, which can give researchers some sense of the life and worldview of the historical actor.  This new understanding of how documents move from private to public hands, and the nuanced work of the archivist, will inform my own research this fall when I hang up my archival gloves and return to the reading room.

 

 

 

Punk Rock in Connecticut

 

EpitomeA recent acquisition to the Alternative Press Collection is one of the first record albums to be printed in Connecticut of the musical genre popularly known as punk rock.  Printed in 1978 by 21st Century Records, the band Epitome released their first album, a self titled vinyl 12″, Epitome ep, containing three tracks: The Thief of Lover’s Lane, Baby No More Tears, and Transistor Sister. Epitome formed in 1977 in Stratford, CT.  Playing venues from Bridgeport’s own The Snakepit, The Shandy Gaff in Milford to New York City’s famous C.B.G.B.’s and Max’s Kansas City.  The youth culture which formed out of the punk scene represents a politicized anti-establishment ethos and aesthetic that challenged previous youth movements from the late 1960s student based revolt.

To listen to this record, please make an appointment with the Alternative Press Curator.

Insights on a Fellowship

In his third blog installment, Glastonbury teacher and writer David Polochanin, recipient of the James Marshall Fellowship, shares two of his original poems after reading poetry in the Dodd Collection, from the Joel Oppenheimer and Robert Creeley papers.

Blog post 3: On Poetry

 “Cartography” and “Celebrating the Peace” by Joel Oppenheimer (Joel Oppenheimer Papers, Box 11, Archives & Special Collections, University of Connecticut Libraries). All rights reserved. No unauthorized reproduction allowed by any means for any reason.

Transcript of Cartography 1957

Celebrating the peace typescript

3.20.13

Who would have

thought that

these papers,

with their typewriter

ink fading,

would see the

light of day

again, let alone

on this windy

Wednesday morning

in March?

When the poet

fashioned these words

40 years ago

they were

nothing special,

drafts scattered

in the author’s mind,

printed in a cluttered office,

gathering on the shelf

and the desk top,

in piles on the floor

against the wall,

and others in a stack

on the sill

beside a cactus.

The plant

(and the author)

have long since died

but today

I open a manila

folder and the poetry

comes alive, quite

a miracle, actually.

His words of reflection

and longing, poems

commemorating seasons,

and scenes

in New York City

that the poet likely

saw each day, planes

rising above the

Financial District,

papers blowing

on the sidewalk,

a bird that spent half

its morning jumping

from branch to branch

in a single tree

as a stream of taxis

formed one line

from here

to Central Park,

all of them turning at once,

then disappearing on

behind a monument

when I close this folder

and open the next.

uconn_asc_Creeley-Papers_2-48_2

“The Epic Expands” by Robert Creeley (Robert Creeley Papers, Box 2:Folder 48, Archives & Special Collections, University of Connecticut Libraries).  All rights reserved.  No unauthorized reproduction allowed by any means for any reason.

Sipping A Coke

Back when I was a kid

we used to sit on a porch

and sip Coke.

The parents sat in

rocking chairs,

holding their drink

in a bottle;

the young ones sat

on the concrete steps

flicking with their non-

drinking hand

the tiniest of pebbles

and the sun sat

motionless

in the sky.

We sipped it together.

We sipped it because

it was good. People

didn’t die because

of soft drinks, then.

No one developed

an addiction to caffeine

and diabetes

wasn’t a problem.

Having this drink allowed

us to chat about life,

about the dog’s laziness,

how the garden

was coming along,

and there was

a baseball game

on the radio

Saturday night.

Yes, those afternoons

had some kind

of timeless element.

I can still taste

the sweet soda

in my mouth

and I wonder

to this day

as I read this poem

what that

is all

about.