An exhibit of handcrafted books created by members of the world-renowned Ediciones Vigía, a fine press publishing house in Cuba, is on display in UConn’s Homer Babbidge Library through May 2.

Since its creation in 1985 in the city of Matanzas, Ediciones Vigía has been internationally recognized as a unique artist’s collaborative press, whose work is included in outstanding private and public collections, such as the British National Library, the Museum of Modern Art (MOMA), the Library of Congress, and numerous universities throughout the world. Ediciones Vigía’s catalog combines limited editions by authors such as Baudelaire, Emily Dickinson, Pasternak, Tolstoy, Tagore, and Verlaine, Spanish-language authors such as Borges, Federico García Lorca, and Gabriela Mistral, and renowned Cuban writers such as José Martí, Lezama Lima, and Nancy Morejón.

However, Ediciones Vigía’s work is especially notable because of their aesthetic value and original design, which use wood, paper and cloth scraps, and the most unimaginable objects and materials. This reflects both the artists’ creativity and the unfortunate economic crisis and resource shortages currently experienced by Cubans. Each handmade volume is a genuine piece of art, as well as a powerful testimony of struggle and artistic survival and sustainability.

“This exhibition takes place within an exceptional context,” says Professor Odette Casamayor-Cisneros, associate professor of UConn’s Latin American, Caribbean and Latino Literatures and Cultures department and co-curator of the exhibit. “Since December 2014, when U.S. and Cuban Presidents Barack Obama and Raúl Castro announced their mutual intentions of reactivating the relationship between the two nations, the general interest in Cuba has unexpectedly increased. One of the result of more than 50 years of political and economic disconnection is the tremendous lack of information about today’s reality in Cuba which must be addressed.”

This exhibition about one of Cuba’s most innovative fine art publishing houses sheds light on this often misunderstood country, Casamayor-Cisneros observes.

 

“While showcasing pieces of remarkable aesthetic value, the exhibition also exposes the visitors to a little known aspect of Cuba’s cultural production,” she notes.

The UConn Libraries’ Archives & Special Collections currently owns 42 of these beautiful handcrafted books and looks forward to adding more work from the collective in the future, says co-curator Marisol Ramos, Latin American & Caribbean Studies, Latino Studies, Spanish & Anthropology Librarian.

The exhibit is co-sponsored by the Department of Literatures, Cultures & Languages and the Puerto Rican/Latin American Cultural Center (PRLACC).
Two public receptions will be held in connection with the exhibition on March 24, from 4-6 p.m. at the Puerto Rican/Latin American Cultural Center and on April 18 from 4:30 to 6 p.m. in Homer Babbidge Library.

All organizing is science fiction. A world where everyone has a home, a great education, community based transformative justice, nourishing food to eat and clean water to drink, where we are in right relation to the planet, to each other, where are free to be and love ourselves as we are, to grow together? We have never seen it; its possibility remains speculative. Yet speculative fiction, perhaps particularly science fiction, offers a powerful opportunity to speculate-into-being.

Walidah Imarisha, co-editor of Octavia’s Brood: Science Fiction Stories from Social Justice Movements (AK Press 2015), will facilitate a salon focused on the history of science fiction and social change, considering ways to use science fiction as a practice ground for social justice strategizing and vision.

March 23, 12:30-2 p.m. in the Rowe Building, Room 122 (please note this is a room change.)

This is the second lecture in the Feminism/s and Future/s salons sponsored by the Women’s, Gender and Sexuality Studies Program in partnership with: the UConn Libraries; the UConn Humanities Institute; the UConn Reads! Program; the Department of Comparative Literature and Cultural Studies; the Africana Studies Institute; the Women’s Center; and the English Department.

Want to learn about some of the tools out there to help effectively manage and analyze your research data? Ever wondered what OpenRefine, Introduction to R, Data analysis and visualization in R and SQL for data management can do for you?

Join us for a two-day Data Carpentry workshop on Mar 7-8 from 9:00 am-4:30 pm and explore basic concepts, skills and tools for working more effectively with data. This will be focused on ecology/natural resources research data but anyone is welcome to attend. UConn participants can register for either the UConn Associate or the General seats.

Registration and laptops with specific software are required. Information on both of these be found on the Data Carpentry website.

Want to learn more?

On March 21-22 we will offer a second two-day workshop that will focus on the basic concepts and tools for your research, including program design, version control, data management, and task automation. This will also be focused on ecology/natural resources research data. UConn participants can register for either the UConn Associate or the General seats.

Registration and laptops with specific software are required. Information can be found on the Software Carpentry website.

The UConn Libraries is pleased to be partnering with the Women’s, Gender and Sexuality Studies Program on their upcoming discussion this March.

“The Politics of the Post-Apocalypse: Race, Gender, and Sexuality After the End”
March 2, 4 to 5:30pm, Class of 1947, Homer Babbidge Library

The very meanings of race, of gender, of sexuality, of labor and reproduction, of power, justice, and even of survival itself might not change after the apocalypse; then again, they might. Dr. Stacy Missari (Quinnipiac University) and Dr. Mary Burke (University of Vermont) will join Dr. Barbara Gurr (UConn) for a salon that focuses on what popular culture teaches us about post-apocalyptic politics and the human imagination. They will consider the ways in which post-apocalyptic narratives organize and possibly limit our abilities to imagine a different world, but also potentially create ruptures in hegemonic notions of “progress”, “civility”, relationship, and social change, particularly around concerns of race, gender and sexuality.

 

The second salon in the series is titled

“The History of Science Fiction and Social Change”
date tbd

All organizing is science fiction. A world where everyone has a home, a great education, community based transformative justice, nourishing food to eat and clean water to drink, where we are in right relation to the planet, to each other, where are free to be and love ourselves as we are, to grow together? We have never seen it; its possibility remains speculative. Yet speculative fiction, perhaps particularly science fiction, offers a powerful opportunity to speculate-into-being. Adrienne Maree Brown, co-editor of Octavia’s Brood: Science Fiction Stories from Social Justice Movements (AK Press 2015), will facilitate a salon focused on the history of science fiction and social change, considering ways to use science fiction as a practice ground for social justice strategizing and vision.

Both salons are sponsored by the Women’s, Gender and Sexuality Studies Program in partnership with: the UConn Libraries; the UConn Humanities Institute; the UConn Reads! Program; the Department of Comparative Literature and Cultural Studies; the Africana Studies Institute; the Women’s Center; and the English Department.